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原文

Concerto for Orchestra, opus 111. 2005, rev. 2010. Thomas Oboe Lee. Advanced.

译文

乐队协奏曲，OPUS 111. 2005年，转. 2010. 托马斯·李双簧管. 先进.

原文

Concerto for Orchestra, opus 111. 2005, rev. 2010. composed by Thomas Oboe Lee. For Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.43199. Instrumentation. 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a “Concerto for Orchestra” for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title. Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My “Concerto for Orchestra, opus 111,” is in five movements. It will be heard without pause between movements. I. Largo. “Misterioso. ”II. Allegro con moto. “Evidence. ”III. Adagio. “Epistrophy. ”IV. Andante. “In Walked Bud. ”V. Presto. “Rhythm-a-ning. ”My initial idea for the “Concerto” was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass. the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement. the “Allegro con moto. ” I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s “Concerto” began with a slow “Introduction. ” It had a title. “Misterioso. ” Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, “Misterioso” brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s “Misterioso” is a blues with an insistent theme of 8th note patterns of rising 6ths. which has nothing to do with my first movement. My “Misterioso” features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s “Evidence” is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s “Epistrophy” is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an “epistle” in nature, a sermon of sorts. The title of Monk’s “In Walked Bud” refers, of course, to the amazing pianist Bud Powell. I took the word “walk” and translated it into an “andante. ” What resulted was a “silly, but jolly” movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word “rhythm” in Monk’s “Rhythm-a-ning,” I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum. The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

乐队协奏曲，OPUS 111. 2005年，转. 2010. 由托马斯·李双簧管组成。. 21世纪，20世纪，浪漫主义时期，古典时期，巴洛克时期. 高级中级. 得分. 发布时间由托马斯·李双簧管. S0.43199. 仪器仪表. 3232-4331 TIMP-2perc串. 当我收到乔纳森Cohler写一个“乐队协奏曲”，为布罗克交响乐团的邀请，我马上想到一切是谁写的作品灵感来自巴托克的开创性的同名作品的作曲家. 罗杰会议，艾略特·卡特，迈克尔·蒂皮特，维托尔德鲁托斯拉夫斯基，琼阁，最近，詹妮弗Higdon. 我的“乐队协奏曲，OPUS 111，”是五个乐章. 它会不绝于耳运动之间的停顿. 一，拉哥. “神秘. “II。. “证据. “III。. “Epistrophy. “IV。. “走了进来芽. “V.. “节奏一宁. 协奏曲“”为我最初的想法“是相反 - 在音色和颜色，在管弦乐队的不同部分之间提供对比. 例如，木管乐器将提供对黄铜了鲜明的对比. 针对字符串等打击乐节. 我也很感兴趣，写一个工作，每个运动将流入下没有停顿 - 从而提供了相反的另一种形式，即拍子和情绪变化. 对比第三种形式是不同风格的音乐形式，我会拿出. 我有很多的乐趣编造了许多可能的场景和舞台造型管弦乐. 其实，我开始与第二乐章. 在“快板CON摩托车. “我想要的东西，有一个很好的澎湃质量，整个乐团可以跳进. 当我完成这一点，我想也许这将是工作的开放太激烈. 我想，也许我应该在爆炸性的东西开始在本质上的东西更慢，更育雏. 我注意到，卡特的“协奏曲”开始了缓慢的“简介. “它有一个标题. “神秘. “作为蒙克，又名Thelonious球僧的狂热的球迷，”Misterioso“让我想起了同一个标题僧组成. 这顿悟给了我一个和尚调后命名每个五个动作的想法. 和尚的“Misterioso”是布鲁斯上升6ths的八分音符模式的坚持主题. 这无关我的第一乐章. 我的“Misterioso”设有单独的低音单簧管的由重音低音穿插一个闪闪发光的氛围之中. 他们都是神秘的，但发散反对情绪和物质. 和尚的“证据”是刺戳和拳调，不规则摆放的措施中 - 不是不像我在第二乐章做. 这种运动可能是最僧十岁上下所有. 和尚的“Epistrophy”是一个四音符的图案是角和扭曲构建了一个调. 我写了一个庄严的黄铜合唱团的运动，在本质上是一个“书信”，各种各样的布道. 和尚的标题为“走进去芽”是指，当然，到了惊人的钢琴家芽鲍威尔. 我把这个词“走”，并把它翻译成“行板. “什么结果是一个”愚蠢的，但快乐“的运动特色的木管乐器. 我想结束了速度与激情的压轴作品. 在和尚的单词“节奏”灵感“节奏，一宁，”我一开始的独奏打击乐节中的最后一个乐章 - 定音鼓，手鼓，低音鼓. 乐团终于加入了混乱，闯入谐谑曲般的狂热. 它结束了大爆炸. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.