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原文

Chamber Symphony No. 2 for Bassoon. Daniel McCarthy. Bassoon Solo sheet music. Double Bass sheet music. Horn sheet music. Marimba sheet music. Oboe sheet music. Percussion sheet music. Soprano Saxophone sheet music. Advanced.

译文

室内交响乐团第2巴松管. 丹尼尔·麦卡锡. 巴松管独奏乐谱. 低音提琴乐谱. 喇叭乐谱. 马林巴琴乐谱. 双簧管乐谱. 锣鼓乐谱. 高音萨克斯乐谱. 先进.

原文

Chamber Symphony No. 2 for Bassoon. Bassoon Feature. Composed by Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion. solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion. maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle. , marimba. 4.5-octave. , double bass. Medium difficult. Score only. Duration 16. 00. Published by C. Alan Publications. CN.05861. The title "Chamber Symphony" indicates that "the wind ensemble is more intimately involved. musically speaking. with the soloist than a accompaniment as in a concerto. In this regard, the single winds and bassoon are treated integrally although the bassoon is the featured instrument. Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony. No. 1. for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term 'concerto. ' Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival. Interlochen Arts Camp, Interlochen, Michigan. in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving. Centaur Records. Barrick Stees and The Arianna String Quartet. For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two 'Interludes. ' The outer two movements are programmatic, whereas the interior movements are much more classically conceived. Movement 1. 'Stomp and Buc Dance' Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy. where McCarthy graduated in 1974. are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called 'deer camps' where hunters have wild parties. far enough from their hunting sites as to not 'spook' the animals. McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light. Movement 2. 'Interlude' 'Interlude' introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first. Movement 3. 'Mechanique' 'Mechanique' is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is. perhaps. associated with an etude. Movement 4. 'Interlude. Creep' The second 'Interlude,' this time with the subtitle. 'Creep' is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major. Air on the G String. The inspiration for this interlude is textural. a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that 'creeps' and crawls its way beneath the ensemble. It is the only movement without the bassoon solo. Movement 5. 'Static' A somewhat improvisational, rhapsodic sounding piece, 'Static' is a study in repeated notes and fast tonguing for the wind instruments. The 'static' repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives. Movement 6. 'Fire, Dance, and Wahbekanetta' This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.

译文

室内交响乐团第2巴松管. 巴松管功能. 由丹尼尔·麦卡锡组成. 由A.丹西安排. 室内乐团. 对于巴松管独奏，室风. 大管独奏，长笛，双簧管，高音萨克斯，单簧管降B，低音单簧管，大管，圆号F中，打击乐. 沙球，寺庙块，悬挂钹，潭潭，手鼓，响板，三角. ，马林巴. 4.5倍频程. ，低音提琴. 中等难度. 分数只. 持续时间16. 00. 发布时间由C.艾伦出版物. CN.05861. 标题为“室内交响乐团”表示“风合奏更密切参与. 讲音乐. 与独奏比作为伴奏的协奏曲. 在这方面，单风和大管被视为一体，虽然巴松是特色乐器. 室内交响乐团第2巴松管和风向委托的巴里克Stees由密歇根州立大学的乐队，约翰的Whitwell，指挥. 这块如下麦卡锡的室内交响乐团的格式. 1号. 为马林巴和风向，为独奏乐器及室乐团，有更多的音乐伴奏下参与比暗示的术语“协奏曲名家组成. “丹尼尔·麦卡锡满足巴里克Stees作为一个同事在特洛肯夏季艺术节. 特洛根艺术营，特洛根，密歇根州. 在1995年夏天. 自那时起，麦卡锡和Stees已在许多记录和政绩工程一起工作 - 最近一段时间，麦卡锡通过Stees的另一个委托的工作记录，所有西方在动. 半人马记录. 巴里克Stees及阿里安娜弦乐四重奏. 对于室内交响乐团2号，麦卡锡更喜欢多运动形式，长短不一的六个动作. 类似于一些贝多芬的晚期弦乐四重奏，麦卡锡使用两个短变动情况介绍给别人，即两个“插曲. '外两个动作是纲领性的，而内饰的运动是更经典的构思. 动作1. '践踏和愎舞“经长大了，在北密歇根，麦卡锡先​​后为秋冬季节有特殊的亲和力. 他的几个老师从特洛肯学院. 其中麦卡锡毕业于1974年. 是狂热的猎人. 在鹿狩猎季节为许多在密歇根州北部是神圣的. 所谓的“鹿营'，其中猎人有疯狂派对的人听. 远远不够他们的狩猎场所，以不“寝食不安”的动物. 麦卡锡想象鹿，降压，和麋鹿各方在狩猎季节的结尾，当动物，成功地避免了猎人的子弹和箭，疯狂地跳舞围绕自己的篝火，喝鹿啤酒和嘲讽猎人在一个赛季后，昏暗的灯光火. 动作2. '插曲'插曲'引入了一个更柔和，更暗，少幽默​​的音乐比第一乐章. 它提供了相比于第一至少得多编程第三运动转变. 运动3. “Mechanique'Mechanique'在角度间隔为大管独奏的研究. 与肌肉运动DoubleBASS双倍和木琴伴奏的独奏节奏的动画给音乐一个机械的声音，. 也许. 与相关的练习曲. 动作4. '插曲. 蠕变'第二个'插曲'，这一次与字幕. “蠕变”是由D大调巴赫组曲第三号第二乐章的灵感. 空气G弦上的. 灵感这个插曲是质地. 一个长期的，持续的高音上面的一个标点，准爵士拨奏低音和低音木琴旋律线的“小兵”和抓取的方式合奏下. 这是一个没有大管独奏唯一的运动. 运动5. '静态'一个有点即兴的，狂想的冠冕堂皇的一块，“静”是在反复说明和快速吐音的管乐器的研究. 球场的'静'重复创建一个并列的宽间隔的动机马赛克打击乐器的效果. 动作6. “火，舞蹈，和Wahbekanetta'这个动作，像第一，大约是在密歇根州北部的木怒目而视，昼伏夜出方. 1969年，作曲家参加了全国音乐训练营担任小号手，后来，甄特洛艺术学院从1970-1974. 后来，他加入了特洛根艺术营的教师于1995年. 麦卡锡出生不久的特洛根，在Onekoma上的Portage湖的一个小村庄. 夏天是作曲家回到他年轻时的土地，有机会逃脱学术界的严格要求，是与朋友的时间. 回忆.