活页乐谱 $15.00

原文

Contemporary Mallet Method. Marimba sheet music. Percussion sheet music. Vibraphone sheet music.

译文

当代槌方法. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱.

原文

Contemporary Mallet Method composed by Jerry Tachoir. For Mallet Keyboard Percussion. marimba or vibraphone. Level 3. Method book. Published by Innovative Percussion. IP.M-JT-CON. Analysis. "Aimed at "those keyboard-mallet percussionists that have an interest in four-mallet playing," Tachoir's method begins with an explanation of the grip often referred to as the "Burton grip. " The grip is carefully illustrated, and a warm-up routine is also explained. The second chapter addresses the topic of sticking, exploring patterns for all the major scales and chromatic scales. Exercises are given for playing arpeggiated chordal structures, using all four mallets. Tachoir also delves into a bit of music theory, with an introduction to the modes and diminished and whole-tone scales. Sticking suggestions are given for the scales of C Dorian, C Phrygian, C Lydian, C Mixolydian, C Aeolian, and C Locrian. A discussion of "Modal Interchange". the chromatic alteration of chord tones. and suggestions for working with specific chordal structures completes this chapter. Chord voicing is the topic of the third chapter. Two techniques, used to spread or expand a chordal structure, called "outer voice exchange" and "drop 2 technique" are explained and illustrated. The chapter concludes with exercises designed to practice these two techniques. The fourth chapter is devoted to challenges of harmonizing a melodic line, both when accompanying oneself, or when comping behind another player. Once again, examples are given to illustrate the text. The fifth chapter is called "Clarity of Executing Lines on the Vibraphone Through Use of Dampening. If this title rings a bell of familiarity, it is because the chapter has been reproduced verbatim, in the form of a pamphlet available in Ludwig Industries' packet of educational materials. The author discusses five types of dampening techniques. slide dampening, touch tone dampening, adjacent note mallet dampening, hand dampening, and pedaling. The book culminates in a series of eleven musical exercises, each with a commentary offering practical suggestions for performance and practice. The title of this seventy-two page text implies, perhaps, that it is a comprehensive course of study filled with page after page of practice material, in the mold of some of the popular mallet "methods" currently on the market. Be advised that this is not the case. Although the text is quite informative and concentrates on the practical corners of the performing musician, most students will need help in applying the concepts and techniques discussed to their own performance. This is especially the case in regard to the chapters devoted to the modes, modal interchange, and chord voicings. The ideas found in this text, however, make it a valuable resource book and supplement to the pedagogical material currently available to the mallet teacher. " - John R. Raush.

译文

当代槌方法组成，由杰里Tachoir. 对于槌敲击键盘. 马林巴或颤音琴. 第3级. 法书. 出版创新的打击乐. IP.M-JT-CON. 分析. “针对”有兴趣的四槌演奏的键盘槌敲击乐手，“Tachoir的方法开始与握经常被称为解释”伯顿握. “抓地力是仔细说明，和一个热身例程还解释. 第二章解决症结的主题，探索模式为所有主要尺度和半音阶. 练习给出了玩琶音和弦结构，使用所有四个槌. Tachoir还深入研究了一下乐理，将介绍相关的模式和减少，全音秤. 坚持建议中给出的C多利安，C弗里吉亚，C吕底亚，C米索利地安调，C风神，和C Locrian鳞. 的“转乘”的讨论. 和弦铃声色改变. 并与特定的弦结构的工作建议完成这一章. 弦清浊是第三章的主题. 两种技术，用于传播或扩大弦结构，称为“外语音交换”和“下降2技术”进行解释和说明. 本章最后设计实践这两种技术的练习. 第四章是专门协调旋律线的挑战，伴随自己既当，或作曲的身后另一名球员时，. 再次，实施例是用来说明文字. 第五章被称为执行上电颤琴线通过使用润版的“清晰. 如果这个称号戒指熟悉的钟声，那是因为章被逐字复制，在一本小册子中的教育材料路德维希工业“包中可用的形式. 笔者论述了五种类型的阻尼技术. 滑动阻尼，按键式阻尼，相邻记槌衰减，衰减的手，和脚踏. 在一系列11音乐练习，每一个解说，提供性能和实践切实可行的建议书的高潮. 这72页的文本标题所暗示的，或许，这是学习实践活动材料的页之后充满了页面的综合课程，在一些目前市场上流行的槌“方法”模. 被告知，这是情况并非如此. 虽然文字是相当丰富和集中表演音乐家的实际角落，大部分学生在申请中讨论自己的表现概念和技巧需要帮助. 这是尤其如此，对于致力于模式，转乘和和弦声部章节. 在这个文本中发现的思想，然而，使它成为一个有价值的资源书和补充，以目前可用木槌老师的教学材料. - 约翰·Raush.