活页乐谱 $20.00

原文

Sacred Marimbist, The, Volume 2. Nathan Daughtrey. Marimba sheet music. Percussion sheet music. Advanced.

译文

神圣Marimbist，本，第2卷. 弥敦道Daughtrey. 马林巴琴乐谱. 锣鼓乐谱. 先进.

原文

Sacred Marimbist, The, Volume 2 composed by Nathan Daughtrey. For Marimba. 4-mallet. 4.3-octave Marimba. low A. Medium to medium difficult. Duration 25. 00-30. 00. Published by C. Alan Publications. CN.18000. Daughtrey's lovely arrangements in this collection help to fill the void of hymns available for solo marimba. All are playable on a low A marimba, but optional lower notes are provided throughout if you have an extended range instrument. This is the second volume in the Sacred Marimbist collection - the first arranged by David Gillingham and this collection arranged by Nathan Daughtrey. All arrangements in this book are playable on a 4.3-octave. low A. marimba. Optional lower notes are indicated in parentheses throughout. Tenuto marks. appear in every hymn, which indicate notes that should be brought out of the texture, such as melodic lines or points of harmonic interest. Additionally, nearly every arrangement features a flexible duration, giving the performer the option to shorten or lengthen the piece as the performance venue may require. Enjoy. PERFORMANCE NOTES Prelude on 'All Creatures of Our God & King'. Lasst Uns Erfreuen. Ralph Vaughan Williams wrote perhaps the most famous setting of this hymn. I, personally, grew up with this hymn as our doxology in church. Great care has been taken with the beaming to indicate which hands. mallets should be playing which notes. Pay close attention to the tenuto. marks above and below the pitches, indicating the melody and harmony lines to receive more emphasis. Appropriate during any part of the liturgical calendar. Reflection on 'Let All Mortal Flesh Keep Silence'. Traditional French. This hymn, also known as 'Picardy,' is most appropriate during Advent. Be mindful of the fading echo effect throughout the first two pages of the arrangement. Note that only the left-hand accompaniment fades, while the right-hand melody remains constant. Offertory on 'Amazing Grace'. Traditional. Probably the most recognizable hymn in the collection, 'Amazing Grace' appears here in a more popular style with a great deal of syncopation and less traditional harmonies. This arrangement is perfect at any time of the year and during any part of the service. Meditation on 'What Wondrous Love Is This'. William Walker. This lovely hymn from 'Southern Harmony' has a feeling of Americana to it. This lush & solemn setting should be performed with a lot of give & take in tempo and dynamics. The melody throughout the chorale section should be played by the two inside mallets while the outer harmonies are played by the outside mallets. The 12. 8 section should be performed smoothly and connected so that it retains the sound of rolling. Postlude on 'Joyful, Joyful, We Adore Thee'. L.V. Beethoven. Also known as 'Ode to Joy' from Beethoven's 9th Symphony, this tune is appropriate during any point in the liturgical year. I recommend that you play this arrangement as the postlude, as the dance-like 7. 8 might not lend itself to quiet meditation during other parts of the service. An ossia has been provided on the last page of the book for one particularly tricky section. Prelude on 'For the Beauty of the Earth'. Conrad Kocher. This hymn tune known as 'Dix' should be performed rather quietly and with a bit of a lilt in both of the contrasting sections. I would recommend soft and heavier mallets in the left hand so the bass notes may be emphasized throughout the first section and from m. 25 to 46. Theme & Variations on 'Fillmore'. Jeremiah Ingalls. Used as the melody for several different hymns, it is presented here in a straightforward four-part chorale setting for the theme. The variations don't stray too far from the original theme, but great care should be taken to always bring out the theme. You should also choose mallets wisely, as you are required to perform both quick rhythmic figures in several ranges of the instrument as well as perform a soft, rolled chorale. Fantasy on 'This Is My Father's World'. Traditional English. This setting of the melody 'Terra Beata' presents some technical challenges involving mallet placement on the bars. Don't be afraid to use a more rubato tempo to help some of the awkward arm position shifts, but do not sacrifice the musical integrity of the arrangement. The sticking figuration in the second presentation of the hymn. 44. remains constant until the end of the piece. You might do well to incorporate this figuration. 4-3-1-2-3-4-1-2. into your daily warm-up so that you may manipulate every musical nuance available to you.

译文

圣Marimbist，在第2卷由Nathan Daughtrey组成. 对于马林巴. 4槌. 4.3倍频程马林巴. 一个低. 中等至中等难度. 持续25. 00-30. 00. 发布时间由C.艾伦出版物. CN.18000. 在此集合帮助Daughtrey的可爱的安排，以填补赞美诗可供木琴独奏虚空. 所有可播放的一个小木琴，但在整个提供了可选的低音符，如果你有一个扩展范围的仪器. 这是在神圣的Marimbist收集第二卷 - 第一个安排由大卫吉林汉姆和这个集合安排由Nathan Daughtrey. 在这本书中所有的安排上播放了4.3倍频程. 一个低. 马林巴. 可选的低音符在整个标明在括号中. 延音标记. 出现在每个赞歌，这表明指出，应带出的质感，如谐波感兴趣的旋律线或点. 此外，几乎所有的安排都具有灵活的时间，给表演者缩短或延长片作为表演场地，可能需要选择. 享受. 性能说明对前奏曲“我们的上帝的所有生物. 让我们享受. 拉尔夫·沃恩·威廉斯写了这首诗歌的也许是最有名的设置. 我个人而言，从小一起长大的这首诗歌作为我们在教堂赞美诗. 大已经采取谨慎措施与喜气洋洋指出哪些手. 槌应打哪个音符. 密切关注的延音. 马克上方和下方的间距，表示旋律和和声线，以接收更强调. 在任何部分的礼仪日历适当. 反思“让所有的血肉之躯保持沉默”. Traditional French. 这首诗歌，也被称为“皮卡，”是降临在最合适的. 要留意的衰落回音效果在整个前两页的安排. 请注意，只有左手伴奏变淡，而右手旋律保持不变. 好评如云的“奇异恩典”. 传统. 大概在集合中的最知名的赞歌，“奇异恩典”出现在这里以一个比较流行的风格，大量的切分音和非传统的和声. 这样的安排是完美的在一年中的任何时间，在任何部分的服务. 冥想对“什么魔幻爱情就是这样”. 威廉·沃克. 这从“南和谐”可爱的赞歌有美洲的感觉吧. 这郁郁葱葱. 整个诗歌部分的旋律应该由两个内头锤上播放，而外部的和声是由外槌打. 12. 8节应平稳地进行，并连接，使得它保留轧制的声音. 片尾曲的“快乐，快乐，我们崇拜你”. L.V.贝多芬. 也被称为从贝多芬的第九交响曲“欢乐颂”，在礼仪年的任何一点在这首曲子是合适的. 我建议你​​玩这样的安排作为片尾曲，为舞蹈样7. 在服务的其他部分8可能不会借给自己安静的冥想. 在奥斯已经提供了本书的最后一页上显示了一个特别棘手的部分. 在前奏曲“为地球之美”. 康拉德科克. 这首圣诗曲调称为“迪克斯”应该相当悄然进行，在双方的对比部分有点轻快的. 我会建议在左手软，重槌所以低音音符可以在整个第一部分和M是强调. 25至46. 主题. 耶利米书英格尔斯. 作为旋律为几个不同的赞美诗，它在这里提出一个简单的四部分组成的合唱团的设定为主题. 该变化不会从原来的主题太远，但应十分注意采取总是带出主题. 您也应该选择槌在刀刃上，因为你需要在仪器的几个范围同时执行快速节奏的数字以及进行软，轧诗歌. 幻想对“这是我父亲的世界”. Traditional English. 旋律此设置“兵马俑贝娅塔”提出了一些涉及槌放置在酒吧的技术挑战. 不要害怕使用更散板的节奏，以帮助一些尴尬的手臂位置的变化的，但不要牺牲安排的音乐完整性. 在赞美诗的第二个演示文稿的粘成形. 44. 保持不变，直到曲终. 你可能会做得很好把这个成形. 4-3-1-2-3-4-1-2. 到你的日常热身，让你可以操纵每一个细微之处的音乐提供给您.