活页乐谱 $12.00

原文

Circularity. Marimba sheet music.

译文

圆. 马林巴琴乐谱.

原文

Circularity composed by Matthew Coley. Marimba solo. For marimba solo. marimba. 5 octave. Level 5. Book. Published by Innovative Percussion. IP.S-MC-CIR. Composer's notes. Circularity is the continuous and always rotating result of a conceptual creative process. The process began as an improvisation on marimba while having in mind the circular concept and techniques used in dance training. The original idea was to create a percussion keyboard trio that would be coupled with dancers. 2004. After the performance of this version the process continued and the platform was expanded with more dancers, cello, piano, and found glass instruments. ie. Bottles, vases, bowls, plate glass, and bowls and marbles used by the dancers. 2006. After performances of this, I felt the work wanted to come back to its original origin and complete the circle as a solo work. 2007. Another idea used in this work was the concept of one stable "circle" that is only altered by slight changes in layers and texture, while other smaller unstable "circles" connect this by expanding and altering their material more severely. "This is another addition to the growing body of intermediate to advanced level idiomatic marimba solos. The piece relies heavily on varied permutations, ostinatos and varied articulations, including one percussive notes 75 AUGUST. SEPTEMBER 2009 section played with the mallet shafts on the edges of the bars while the "circular" motive is played normally. Interestingly, the piece has gone through a number of versions and was conceived as music for dance. The original version had a mixed instrumentation that included found glass instruments, piano and cello. The composer states that the process for composing "began as an improvisation on marimba while having the circular concept and techniques used in dance training. " Because of the idiomatic nature of the piece, the fact that it began as an improvisation is not surprising. The idea of circular motion and layering are compositional techniques used throughout the piece. Many times the melodic motif or "circle" will surround an ostinato. The composer describes his process this way. "one stable "circle--is only altered by slight changes in layers and texture, while other smaller unstable "circles" connect this by expanding and altering their material more severely. " This piece would be an appropriate addition to an undergraduate recital, as an undergraduate study piece for learning advanced four-mallet techniques, or as a concert. study piece for an advanced high school student. " - John Lane Percussive Notes, August. September 2009.

译文

圆由马修·科莱组成. 马林巴独奏. 对于马林巴独奏. 马林巴. 5个八度. 5级. 书. 出版创新的打击乐. IP.S-MC-CIR. 作曲家的音符. 圆是一个概念性的创作过程的连续，始终旋转的结果. 同时铭记在舞蹈训练中使用的圆形概念和技术的进程开始作为木琴即兴. 最初的想法是创建一个敲击键盘三人将被加上舞者. 2004. 这个版本的演出结束后的持续过程和平台与更多的舞者，大提琴，钢琴被扩大，发现玻璃仪器. 即. 瓶，花瓶，碗，平板玻璃，以及碗和使用的舞者弹珠. 2006. 经过这样的表演，我觉得工作想来回原来的起源和完成圈作为一个单独的工作. 2007. 在这项工作中使用的另一种想法是一个稳定的“圈子”，即只能由层和纹理的细微变化改变了观念，而其他较小的不稳定的“圈子”通过扩大和改变他们的物质更严重这个连接. “这是另一个除了中间的越来越多的先进水平惯用木琴独奏. 这件作品在很大程度上依赖于不同的排列组合，ostinatos多变的关节，其中包括撞击笔记75八月. 2009年9月部分使用了与上条的边缘槌轴，而“通知”的动机是正常播放. 有趣的是，这块经历了多个版本不见了，被认为是音乐舞蹈. 原来的版本有好有坏的仪器，其中包括个记录玻璃仪器，钢琴和大提琴. 作曲家指出，程序的构成“，同时具有在舞蹈训练中使用的圆形概念和技术开始作为木琴即兴. 由于片的惯用性质“，它开始作为一个即兴的事实并不令人惊讶. 圆周运动和分层的思想是整个一块用来作曲技巧. 很多时候，旋律主题，或“圈子”将围绕一个固定音型. 作曲家介绍了他的过程中这种方式. “一个稳定”圈 - 仅受层和纹理的细微变化改变了，而其他较小不稳定的“圈子”通过扩大和改变他们的物质更严重这个连接. “这件作品将是一个合适的除了本科生演奏会，作为一个本科生一块学习学习先进的四槌技术，或作为音乐会. 研究枚先进的高中生. “ - 约翰车道撞击式票据，八月. 2009年9月.