活页乐谱 $305.00

原文

Central City Sketches - Complete Set Of 6 Movements. B-Flat Trumpet sheet music. Classical Guitar sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

译文

环市素描 - 全套6的变动. 降B大调小号乐谱. 古典吉他乐谱. 鼓乐谱. 锣鼓乐谱. 钢琴乐谱. 长号乐谱. 中间.

原文

Central City Sketches - Complete Set Of 6 Movements by The American Jazz Orchestra. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Benny Carter. For big band. 6 movements. Solo Alto Saxophone. on movement 5. , 2 Alto Saxophones. Flute double for Alto 2 on movement 6. , 2 Tenor Saxophones. Flute double for Tenor 1 on movement 6. , Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. 6 movements. Swing. Ballad. Waltz. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8285. In 1987, Benny Carter was invited to give a concert of his music with the American Jazz Orchestra. The concert would be a career retrospective. classic music he wrote in the 1930s and '40s, compositions from the '60s, including themes he'd written for motion pictures, and a suite composed specifically for the concert. This suite, Central City Sketches, and the resulting studio-recorded CD released by Musicmasters, were praised by critics who were thrilled that Carter was still creating beautiful, swinging music at the age of eighty. Jeffrey Sultanof was present at that concert, and can attest that the audience went wild when they heard this new music that often recalled Kansas City and the swing era. The sources for these publications are the original parts, which were heavily marked up with changes and corrections that were made prior to the premiere. In one case. People Time. a score that was engraved by Phil Woods was consulted. Movements 1 and 2 - Central City Blues segue to Hello. The suite opens with Central City Blues which segues into a Basie-styled Hello. Because the blues cannot be played as a separate composition, it is combined with Hello. Central City Blues has been marked as "low-down and dirty" by the editor, and that's exactly how it ought to be played. A piano solo and a change of tempo brings us to Hello, which is Carter's homage to his friend Count Basie. Carter is quite specific about dynamics here, and they should be observed. Movement 3 - People Time. People Time is movement three of the suite. It is often called simply People, perhaps changed to avoid it being confused with the Jule Styne-Bob Merrill standard of the same name. This gorgeous ballad features a flute solo at the beginning, and then a trumpet solo backed by the ensemble. Like most of Carter's music, it was written for professionals but can be played by many middle-school bands. This is a straight-forward flute and trumpet feature ballad that is played slowly. The opening section features a flute solo accompanied by piano. The pianist should pay close attention to the flute and provide adequate, but not intrusive, support. The flute part was written on reed 1. We have included an alternate reed 1 part. on alto saxophone. and may be used in the event that a flautist is not available. If you wish to use this alternate part this arrangement simply becomes an alto saxophone feature. instead of flute. Movement 4 - Promenade. Promenade was originally titled Take a Walk. the title on the parts. This is played at a comfortable 'walking' tempo. Please note the ensemble dynamics at letter A, but please do not overly exaggerate the crescendo. This should not be an sf. Ensemble balance is also important in the playing of this section of the suite. Movement 5 - Remember. Remember is a beautiful alto saxophone solo. Please note that sectional unisons should sound as if one person is playing the melodic line. Movement 6 - Sky Dance. Sky Dance is an attractive jazz-waltz that should not be played too fast. Once again, flutes and muted trumpets should sound as if they are played by two people so that the ensemble color is clear.

译文

环市素描 - 全套6运动由美国爵士乐团. 由Jeffrey Sultanof和Rob Duboff编辑. 通过本尼·卡特安排. 对于大乐队. 6运动. 个中音萨克斯. 上运动5. ，2中音萨克斯風. 长笛一倍奥拓2上运动6. ，2次中音萨克斯風. 长笛一倍期限1对6的运动. ，上低音萨克斯，小号4，4长号，吉他，钢琴，贝斯，鼓. 6运动. 摇摆. 民谣. 华尔兹舞. 中. 得分和零件. 发布者：Jazz线出版物. JL.JLP-8285. 1987年，本尼·卡特被邀请到他的音乐的演唱会与美国爵士乐团. 音乐会将是一个回顾性的职业生涯. 古典音乐，他在20世纪30年代和40年代写的，从上世纪60年代，包括主题，他会为电影写的，一个专门为演唱会组成成分套件. 这间套房，环市草图，并通过Musicmasters释放所产生的工作室录制的光盘，由谁是兴奋评论家称赞卡特仍然在80岁时创造美丽，摇摆的音乐. 杰弗里Sultanof出席了音乐会，并可以证明，观众们疯狂，当他们听到这个新的音乐，常常忆起堪萨斯城和摇摆乐时代. 来源这些出版物都是原厂配件，这是严重标明了首映之前所做的更改和修正. 在一个案例. 人时间. 刻由菲尔·伍兹，一个分数进行了磋商. 动作1和2 - 环市蓝调Segue公司为Hello. 该套件将打开中部城市蓝调其继续入一个贝西风格啰. 因为蓝调不能发挥作为一个独立的成分，它是结合你好. 环市蓝军已经被标记为“低下来，脏”的主编，而这正是它应该如何被播放. 钢琴独奏和节奏的变化给我们带来你好，这是卡特的祭奠他的朋友贝西伯爵. 卡特是非常具体的关于动态在这里，他们应该观察. 运动3 - 人们时间. 人的时间是套件的运动3. 它通常被称为简单的人，也许改变了，免得被混淆的同名巨乐Styne，鲍勃美林标准. 这华丽的民谣设有一个笛子独奏开头，然后小号独奏乐团的支持. 最喜欢卡特的音乐，它为专业人士写，但可以通过许多中等学校乐队播放. 这是一个慢慢起到了直接的长笛和小号功能民谣. 开放部分设有一个笛子独奏钢琴伴奏. 钢琴家应密切关注长笛和提供足够的，但不侵入，支持. 长笛的部分写在芦苇1. 这里已包括备用芦苇1份. 上低音萨克斯管. 并且可以在一个长笛不可用的情况下使用. 如果你想使用这个替代一部分这样的安排简直成为中音萨克斯功能. 而不是长笛. 运动4 - 长廊. 长廊最初题为散步. 在部分标题. 这是在玩一个舒适的“行走”节奏. 请注意，合奏动力学在字母A，但请不要过分夸大渐强. 这不应该是一个科幻. 合奏的平衡也是很重要的此部分中的套件的播放. 运动5 - 记得. 记得是一个美丽的中音萨克斯独奏. 请注意，截面unisons应该听起来就好像一个人被打的旋律线. 运动6 - 天空舞蹈. 天空舞蹈是一个有吸引力的爵士华尔兹不应该打的太快. 再次，长笛和静音小号应健全，如果他们是由两个人扮演，使乐团的颜色清晰.