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原文

Concerto for Percussion Ensemble. David Gillingham. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music. Advanced.

译文

协奏曲打击乐合奏. 大卫·吉灵厄姆. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱. 先进.

原文

Concerto for Percussion Ensemble composed by David Gillingham. Arranged by Nathan Daughtrey. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 2-octave crotales, large suspended cymbal, tambourine. , Percussion 2. bells, chimes, snare drum. , Percussion 3. xylophone, 4 bongos, bells. , Percussion 4. 3-octave vibraphone, temple blocks. , Percussion 5. 3-octave vibraphone, 4 woodblocks. Medium difficult. Score only. Duration 17. 00. Published by C. Alan Publications. CN.02281. Cast in four major sections, Gillingham's "Concerto for Percussion" takes the listener on a journey through families of the percussion section - membranes, woods & metals. He takes a simple 5-note motive and transforms it into a masterful staple in the percussion ensemble repertoire. The "Concerto for Percussion Ensemble" was commissioned by the Lancaster High School Percussion Ensemble of Lancaster, Ohio, under the direction of Bruce Gerken. It is a work of virtuosic proportions featuring three distinct categories of percussion instruments. membranes, woods, and metals. The concerto is cast in four major sections, preceded with an introduction. A five-note motive organizes the entire work. This motive, comprised of ascending perfect fourths and a descending minor third, goes through a number of metamorphic changes throughout the work, culminating with the material presented in the finale. The first movement, 'Membranes,' is primarily rhythmic and has two distinct features. a quintuplet rhythmic pattern. based on the five note motivic design. and 2. the timpani utilizing the five note motive in various guises. The ensuing second movement, 'Woods,' seeks to exploit the grandeur of the mellow timbre of the marimba quartet and expands the five note motive into a beautiful theme with four variations. Other 'wooden' instruments are used to enhance the flavor of this movement. The glorious sound of 'Metals' are featured in the third movement with bells, chimes, and crotales taking the lead in presenting a joyful 'pealing' of the five note motive in various forms. The finale features the ensemble in tour de force with a spirited theme transformed from the five-note motive, still characterized by ascending fourths but with the addition of a falling fifth pattern. The theme of the second movement returns as a secondary idea followed by a grand fugue based on the theme of the finale. There is a partial recapitulation and an extended coda that drives the work to a stunning conclusion.

译文

协奏曲打击乐团由大卫吉林汉姆组成. 由Nathan Daughtrey安排. 打击乐合奏. 对于打击乐团. 打击乐1. 2倍频crotales，大钹暂停，手鼓. ，打击乐2. 铃铛，风铃，小鼓. ，打击乐3. 木琴，小鼓4，铃铛. ，打击乐4. 3倍频程电颤琴，寺庙块. ，打击乐5. 3倍频程电颤琴，4木版. 中等难度. 分数只. 持续时间17. 00. 发布时间由C.艾伦出版物. CN.02281. 投在四个主要部分，吉林汉姆的“协奏曲打击乐”把听众通过敲击部分家庭的旅程 - 膜，树林. 他以一个简单的5个音符动机并将其转换成一个熟练的主食中的打击乐合奏曲目. 在“协奏曲打击乐合奏”委托兰开斯特，美国俄亥俄州的兰开斯特高中打击乐合奏，根据布鲁斯Gerken的方向. 这是才华比例的工作具有三个不同的类别打击乐器. 膜，木材，金属等. 这首协奏曲是投在四个主要部分，前面有介绍. 阿五音符动机组织的全部工作. 这一动机，包括上行完美四分之三和一个降小三度的，经历了许多在整个工作变质的变化，与在压轴呈现的材料最终. 第一乐章，“膜”，主要是有节奏的，有两个明显的特点. 一个五元组的节奏模式. 基于五个音符动机的设计. 2. 利用在各种名目的五个音符动机定音鼓. 接下来的第二乐章，“老虎伍兹”，旨在利用马林巴四重奏的音色醇厚的庄严和扩展五忌动机变成了美丽的主题有四个变化. 其他的'木'工具用来增强这个运动​​的味道. 光荣的声音“金属”已列入第三乐章的钟声，钟声，和crotales率先提出的五个音符动机的快乐'敲打'以各种形式. 结局采用了乐团在看家本领与奔放的主题，从五个音符动机转化，特点仍然是上升的四分之三，但与另外一个五分下降的格局. 第二乐章的主题返回作为一个次要的想法后跟的基础上，压轴为主题的盛大神游. 有部分概括和扩展尾声，推动工作，以一个惊人的结论，.