活页乐谱 $32.00

原文

Concerto for Percussion Solo. piano reduction. Gary Ziek. Marimba sheet music. Percussion sheet music. Piano sheet music. Snare Drum sheet music. Vibraphone sheet music. Advanced.

译文

协奏曲敲击乐独奏. 钢琴减少. 加里Ziek. 马林巴琴乐谱. 锣鼓乐谱. 钢琴乐谱. 军鼓乐谱. 电颤琴乐谱. 先进.

原文

Concerto for Percussion Solo. piano reduction. composed by Gary Ziek. Percussion Ensemble. For Percussion Concerto. solo percussion. 4.6-octave marimba, vibraphone, crotales, bells, marching snare drum, concert snare drum, 4 toms, bass drum, 2 bongos, 2 brake drums, 2 suspended cymbals. , piano. Concertos. Medium difficult. Piano reduction. Duration 14. 20. Published by C. Alan Publications. CN.05382. This concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales and a large percussion battery with two snare drums, multiple toms, brake drums, and bass drum. The Concerto for Percussion Solo and Wind Ensemble was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between 6. 8 and 4. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple ensemble accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia. a free flight of fancy. immediately shatters the previous mood. A loud, cacophonous ensemble accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with an unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement build to a final, fortissimo climax.

译文

协奏曲敲击乐独奏. 钢琴减少. 由加里Ziek组成. 打击乐合奏. 对于打击乐协奏曲. 只有打击乐. 4.6倍频程木琴，电颤琴，crotales，钟声，踏着军鼓，演唱会小鼓，4鼓，低音鼓，小鼓2，2刹车鼓，2钹暂停. ，计划. 协奏曲. 中等难度. 钢琴减少. 持续时间14. 20. 发布时间由C.艾伦出版物. CN.05382. 这部协奏曲是三个相连的运动和功能的独奏上的各种工具，包括马林巴琴，电颤琴，编钟，以及crotales和一个大型敲击电池有两个军鼓，多鼓，刹车鼓和低音鼓. 该协奏曲打击乐独奏和乐团于2001年1月组成人员为打击乐手斯科特·赫林的人才展示. 这首协奏曲是三个相连的运动和功能的独奏上的各种工具，包括马林巴琴，电颤琴，铃，和crotales. 大锣鼓电池有两个军鼓，多鼓，刹车鼓，低音鼓也被用来. 第一乐章，三月，利用准五个部分的回旋曲式. 该运动始于一个独奏军鼓，与乐团提供感叹词旋律. 引进建立的第一个独奏马林巴入口. 左手固定音型导致了旋律图6之间交替. 8和4. 一个简短的军鼓独奏设置了中间部分，其中的独奏和合奏贸易的音乐理念. 多米的通道返回，与独奏家合奏美化人物旋律. 突然调制导致最后一节，这呼应了运动的对外开放思想. 3月与独奏结束回到了军鼓，因为它涉及到悄悄的结论. 协奏曲立即继续入第二乐章，冥想，开始与多组风铃的声音空灵. 随着运动的进行，独奏了一个简单的乐团伴奏播放很长，反射线，键盘敲击乐器的不同组合. 运动要建立胜利的时刻，回到其初始状态的沉思前. 幻想. 看中的自由飞行. 立即打破了先前情绪. 一个响亮的，吵闹的乐团伴奏提供了一个充电氛围，为独奏利用敲击电池. 一个简短的旋律部分，高尚的性格，导致了最终的运动的初始高潮. 这里的气氛突然再次改变，作为合奏和独奏展开一个快速，猛烈的新节. 乐器行愤怒地交换，从而达到了雷鸣般的敲击显示器. 心情突然有蓝调和爵士乐的影响色彩，让在让人联想到一个鼓组球员的方式独奏功能. 花样年的最后一节开始的无人陪伴的木琴独奏，演奏以极快的速度. 乐团开始逐渐加入独奏，为打造运动到最终，极强的高潮.