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Concerto for Vibraphone & Orchestra. score only. Nathan Daughtrey. Alto Saxophone sheet music. Baritone Saxophone sheet music. Soprano Saxophone sheet music. Tenor Saxophone sheet music. Vibraphone sheet music.

译文

协奏曲电颤琴. 只有得分. 弥敦道Daughtrey. 中音萨克斯乐谱. 上低音萨克斯乐谱. 高音萨克斯乐谱. 次中音萨克斯乐谱. 电颤琴乐谱.

原文

Concerto for Vibraphone & Orchestra. score only. composed by Nathan Daughtrey. For Soloist. with Orchestra. one on a part. , piccolo, flute 1, flute 2, oboe, bassoon 1, bassoon 2, B-flat clarinet 1, B-flat clarinet 2, B-flat clarinet 3, B-flat bass clarinet, B-flat contrabass clarinet, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, B-fla. Level 5. Score. Duration 15. 00. Published by C. Alan Publications. CN.17226. Concerto for Vibraphone was commissioned by Dr. Lisa Rogers, Professor of Percussion at Texas Tech University. The two-movement work draws inspiration from two opposing poems by Pablo Neruda that depict night and day. The poems are full of rich & vivid imagery that I tried to capture in the music. Ode to Nighttime by Pablo Neruda. I. Night's Song â“ "El Canto de la Noche". For the first movement, Night's Song, I tried to depict this mysterious, starry night that gradually turns dark and rainy. The phrases that really spoke to me and shaped the music were "behind daylight," "you thrash around the sky," "you run wild over the savage flow of rivers," and rain and darkness are the blade of a singing sword while stars, or jasmine petals, gaze from blackened heights. " I love how Neruda describes daylight as being born nighttime, so I decided to make the movements attacca so that the second movement, Enchanted Light, bursts forth out of the first movement. Ode to Enchanted Light by Pablo Neruda. II. Enchanted Light â“ "La Luz Encantada". The second movement is much more sparkly and bright, depicting the "light dropping from the top of the sky. " The "cicada sending its sawing song high into the empty air" even makes an appearance when the ensemble vibraphone player places pennies on the bars and then bows those bars with optional help from a sizzle cymbal. Motives and themes from the first movement return in several spots throughout the second movement helping to unify the work. The soloist gets a workout as well in the tour-de-force second movement, unlike the much more introspective first movement.

译文

协奏曲电颤琴. 只有得分. 由Nathan Daughtrey组成. 对于独奏者. 与乐团. 一个在一部分. ,短笛,长笛1,2长笛,双簧管,大管1,大管2,B-平单簧管1,B-平单簧管2,B-平单簧管3,B平低音单簧管,B大调单簧管低音提琴,高音萨克斯,中音萨克斯,次中音萨克斯,低音萨克斯,B-FLA. 5级. 得分. 持续15. 00. 发布时间由C.艾伦出版物. CN.17226. 协奏曲电颤琴委托丽莎·罗杰斯,打击乐在美国德州理工大学教授,博士. 这两个运动的工作灵感来自聂鲁达两个对立的诗,描绘黑夜和白天. 该诗是充满了浓郁的. 咏夜间聂鲁达. 一晚上的歌曲“,”夜歌“. 对于第一个运动模式,夜间的歌曲,我试图去描绘这个神秘,星夜逐渐变暗多雨. 这真的对我说话,塑造了音乐的短语是“背后日光”,“鞭打你周围的天空”,“你像脱缰的野马在河流的野蛮流”和雨和黑暗是一个歌唱剑刀片,而明星,或茉莉花瓣,从熏黑高度注视. “我喜欢聂鲁达如何描述日光作为出生夜间,所以我决定做运动attacca使第二乐章,魔灯,绽放出了第一乐章. 咏魔光聂鲁达. 二。附魔光了“”拉卢斯恩坎塔达“. 第二乐章是更加闪闪发光,明亮,从天上的顶部描绘了“光滴. “在”高蝉派出锯歌入空气“,甚至一次露面时,电颤琴合奏玩家放置在酒吧便士,然后鞠躬那些酒吧与来自滋滋声钹可选帮助. 从第一乐章的回报在几个点在整个第二乐章有助于统一的工作动机和主题. 独奏得到锻炼以及在巡回德力第二乐章,不像更加内省第一乐章.
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