活页乐谱 $60.00

原文

The Cry. Nathan Daughtrey. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

该惊魂. 弥敦道Daughtrey. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱.

原文

The Cry. An Andalusian Fantasy. Composed by Nathan Daughtrey. Percussion ensemble. For bells & crotales, xylophone, chimes & slapstick, vibraphone 1, vibraphone 2, marimba 1. 4-octave. , marimba 2. 4.3-octave. , marimba 3. 4.5-octave. , marimba 4. 5-octave. , percussion 1. stage left. castanets, bell tree. , percussion 2. stage right. castanets,. 12 players. Difficulty. Difficult. Duration 9. 30-11. 00. Published by C. Alan Publications. CN.40. Based on a colorful poem by Federico García Lorca with vivid imagery and a wonderful arc, The Cry was commissioned and premiered by the University of Oklahoma Percussion Orchestra, conducted by Dr. Lance Drege. The work divides into 5 primary sections. Paisaje. "Landscape". La Guitarra. "The Guitar". El Grito. "The Cry". Un Silencio Ondulado. "A Rolling Silence". Tierra de Luz, Cielo de Tierra. "Earth of Light, Sky of Earth". Federico García Lorca was extremely interested in the Spanish gypsy music known as Cante Jondo. or "Deep Song". , which is the purist and most natural precursor to Flamenco music. It is filled with passionate melismatic singing and sparse guitar playing. Great care has been taken to differentiate between the more popular Flamenco form and Cante Jondo, always emphasizing that the latter is the purer and more serious of the two forms. It is this struggle that is at the heart of "The Cry." The virtuosic singing is emulated throughout the ensemble in long flourishes that are full of twists and turns. The antiphonal castanet players help bring in the flamenco elements to the piece, as well as the sounds of flamenco dancers tapping, stomping and clapping in rhythm. Most important in composing this piece was that the beautiful words of García Lorca and the form of his poem are represented. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

译文

该惊魂. 安达卢西亚幻想. 由Nathan Daughtrey组成. 打击乐合奏. 对于钟. 4倍频. ，马林巴2. 4.3倍频程. ，马林巴3. 4.5倍频程. ，4马林巴. 5倍频程. ，打击乐1. 舞台左侧. 响板，铃铛树. ，打击乐2. 舞台右侧. 响板，. 12名球员. 困难. 难. 持续9. 30-11. 00. 发布时间由C.艾伦出版物. CN.40. 基于丰富多彩的诗费德里科GarcÃa洛尔卡用生动的图像和一个美妙的弧线，这种喊叫声委托，俄克拉荷马大学的打击乐乐团，由Lance Drege博士进行了首演. 这项工作分为5小学部. 景观. “风景”. 吉他. “吉他”. 呐喊. “的呐喊”。. 宁静波动. “滚动沉默”. 光，地球天空的土地. “地球之光，地球的天空”. 费德里科GarcÃa洛尔卡是在西班牙的吉普赛音乐被称为CANTE Jondo极感兴趣. 或“深歌”. ，这是最纯粹，最自然的前兆弗拉门戈音乐. 它充满了激情melismatic唱歌和稀疏的吉他演奏. 大已经采取谨慎措施比较流行的弗拉门戈形式和CANTE Jondo区分，始终强调的是，后者是更纯洁，更严重的两种形式. 正是这种斗争是在的心脏“的叫声。”该才华唱歌是模拟整个乐团在长期的蓬勃发展是充满波折. 对歌响板玩家协助带来的弗拉门戈元素片，以及弗拉门戈舞者攻，跺脚和拍手的节奏的声音. 最重要的是在创作这件作品是GarcÃa洛尔卡和他的诗的形式的花语是代表. 关于欧打击乐新闻. 在1977年的OU敲击乐团和合唱团走上了发展成为鼓励和发展新的音乐发展，打击乐合奏国家级示范项目. 该OU敲击乐合奏调试系列定期从事优秀的作曲家写的作品这个媒介. 调试系列是负责在打击乐合奏的曲目创建一些今天的主食. 1983年俄克拉何马大学出资成立的欧打击乐出版社，敲击区域的非营利性扩展. 通过敲击出版社，调试一系列成分加为OU打击乐乐团和合唱团明确书面等作品已可以购买和性能世界领先的打击乐合奏. 敲击按“目录号50多个作品，均发布在一个非营利性企业，以专业服务.