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原文

A Hymn to the Virgin. Benjamin Britten. A Cappella sheet music.

译文

一首赞美诗的处女. 本杰明·布里顿. 无伴奏合唱乐谱.

原文

A Hymn to the Virgin. 1930, rev. 1934. SATB Double Chorus a cappella. Composed by Benjamin Britten. 1913-1976. For Choral. SSAATTBB A Cappella. Boosey & Hawkes Sacred Choral. 12 pages. Boosey & Hawkes #M060014512. Published by Boosey & Hawkes. HL.48008930. ISBN 1458424537. 6.75x10.5 inches. for unaccompanied SATB with solo or semi-chorus SATB quartet. Text. anon. circa 1300. Publisher. Boosey & Hawkes. Difficulty level. As young as he was, aged only 16, Britten produced in this carol a tiny masterpiece. This is one of the most well-known and best-loved of his choral pieces. Understandably so, too. It has all the ingredients which make for a really satisfying choral experience. The use of a solo quartet or small semi-chorus, best placed at a distance, brings a dramatic element to the essential simplicity of the carol. The Latin responses of the semi-chorus to the medieval English words of the main chorus give these responses a further element of mystery which adds another layer of spiritual drama. The ratcheting up of the intensity in the final verse by increasing the tempo, by the ATB of the main chorus singing continuous rising phrases and by the sopranos singing a short phrase which is answered by the semi-chorus brings the piece to its climax. The final tranquillo page leads the carol to its conclusion in a mesmerizingly beautiful final phrase sung by the semi-chorus. Care needs to be taken with the speed, the semi-chorus placing, and the creation of an atmosphere which demands attention from the listener. Speed. be careful to note Brittens marking of quaver. 8th note. 69-72. This is very slow indeed. Try it with a metronome. Many conductors perform this piece at crotchet. 4 note. 69. Frankly, I find the original speed too slow to make this piece flow. I see that when I recorded this with the Finzi Singers we made a tempo of crotchet c50. Purists may be dismayed at this wilful ignoring of a composer's intentions. especially given the strictures outlined in the Preface to this Guide. I think if I were to re-record this now, I would choose a tempo of about quaver 88. Note that for the quicker final verse Britten suggests a crotchet tempo. This means he did think about the issues of speed very carefully. Placing. Some choirs choose to put the semi-chorus at the other end of the church, or in a gallery for dramatic effect. Directors, however, have to remember that while this might work in the first two verses, in the last verse the two groups sing together and have to balance to some degree. Thought should also be given to the fact that if the semi-chorus is placed at the other end of a church behind the audience, the audience sitting near the back will hear them more strongly than the main choir. It is best to place the semi-chorus behind the choir but still quite close, perhaps by the altar if the main choir is in the choirstalls, or just in front of the altar. Always make sure that the semi-chorus can see the conductor. Duration. 4 minutes. Paul Spicer, Lichfield, 2011.

译文

一首赞美诗的处女. 1930年,转. 1934年. 双SATB合唱团无伴奏. 由本杰明·布里顿组成. 1913-1976. 对于合唱. SSAATTBB无伴奏合唱. 布西. 12页. Буси. 出版布西. HL.48008930. 国际标准书号1458424537. 6.75x10.5英寸. 为无人陪伴的SATB与独奏或半SATB合唱重唱. 文本. 不久. 1300. 发行人. 布西. 难度等级. 年仅他,年龄只有16,布里顿在这个颂歌产生了微小的杰作. 这是最知名和最受人喜爱他的合唱作品之一. 可以理解的,也. 它具有所有这些使一个真正令人满意的合唱经验的成分. 使用一个单独的四重奏或小型半合唱的,最好放置在距离,带来了戏剧性的元素的颂歌的本质简单. 半合唱的主副歌的中世纪英语单词拉丁回应给这些反应的神秘元素进一步增加了其精神的戏剧另一层. 在最后的诗句强度增加的速度,由主合唱团演唱的连续上涨短语的ATB,并由女高音唱一个短语是由半合唱回答棘轮起来带来了一块高潮. 最后Tranquillo的页面带领颂歌其由半合唱团唱了mesmerizingly美丽的最后一句结论. 护理需要采取与速度,半合唱配售,以及创造它要求的注意力从听者的气氛. 速度. 要小心注意Brittens标记的八分音符. 8分音符. 69-72. 这是非常缓慢. 用节拍器试试吧. 许多导体在四分音符执行此片. 4注. 69. 坦率地说,我觉得原来的速度太慢,使这片流. 我看到,当我录这与FINZI歌手我们做了怪想C50的节奏. 纯粹主义者可能会在这个任性的作曲家的意图忽略惊惶。. 尤其是考虑到在前言概述本指南的狭窄. 我想,如果我是重新录制这现在,我会选择约88八分音符节奏. 请注意,对于更快的最后的诗歌布里顿建议一个四分音符节奏. 这意味着他有想过速度的问题非常谨慎. 配售. 一些合唱团选择把半合唱团在教堂的另一端,或在画廊里的戏剧效果. 然而,董事必须记住,虽然这可能会工作在前两节,在最后一节,两组一起唱歌,并有平衡在一定程度上. 思想也应该考虑到一个事实,即如果半合唱被放置在后面的观众教堂的另一端,观众坐在靠近后面会听到他们的声音更强烈比主合唱团. 最好是将半合唱团合唱团,但仍相当接近的背后,或许是受到坛如果主合唱团是在choirstalls,或者只是在祭坛前. 始终确保半合唱可以看到导体. 长短. 4分钟. 保罗·斯派塞,利奇菲尔德,2011.
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