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原文

Concerto for Timpani & Band. Gordon Jacob. Percussion sheet music. Timpani sheet music. Grade 4.

译文

协奏曲定音鼓. 戈登·雅各布. 锣鼓乐谱. 定音鼓乐谱. 四年级.

原文

Concerto for Timpani & Band. Timpani Feature. Composed by Gordon Jacob. 1895-1986. For Soloist. with Concert Band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor. Band Music. Grade 4.5. Score only. Duration 12. 30. Published by C. Alan Publications. CN.S11005. The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band. Material is embroidered by woodwinds and developed by the soloist. The second movement. Adagio. is virtually an aria in which we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted. Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz. West Germany. and the first performance was given there in June 1984 with the soloist Klaus Huber. to whom it is dedicated. conducted by Douglas Bostock. In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close. The second movement. Adagio. is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - displaying Jacob's English roots. his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.

译文

协奏曲定音鼓. 定音鼓功能. 戈登雅各布组成. 1895年至1986年. 对于独奏者. 与乐团. 短笛，长笛第一，第二长笛，双簧管1，第2双簧管，单簧管的Eb. ，第一降B调单簧管，2降B调单簧管，三降B调单簧管，降E中音单簧管. ，降B低音单簧管，巴松管1，第2巴松管. ，第一降E中音萨克斯，降E 2中音萨克斯，降B次中音萨克斯，第F贺. 乐队音乐. 4.5级. 分数只. 持续时间12. 30. 发布时间由C.艾伦出版物. CN.S11005. 定音鼓的性质意味着音乐的发展是有节奏的，而不是音调. 在第一乐章，一个广泛的主题是由定音鼓自己宣布的，并立即呼应和修改全风带. 材料是由木管乐器绣和独奏者开发. 第二乐章. 谚语. 几乎是在我们剩下的一个表达情绪的咏叹调从定音鼓唤出自己. 最后一个动作是一个欢蹦乱跳 - 特性使用准民俗材料非常适合乐队和定音鼓的节奏特征突出. 戈尔丹雅各写了他的协奏曲定音鼓于1984年，它是是他写在他去世前的最后一个主要工作. 它是为在康斯坦茨专业的风团写. 西德. 而首次演出是在1984年6月给那里的独奏家克劳斯·胡贝尔. 向谁致力于. 由道格拉斯·博斯托克进行. 在第一乐章，一个广泛的主题是通过自己的基础上三分之二的连续上涨，并立即呼应，并通过完整的风带修饰的定音鼓公布. 一个桥后，当该材料是由木管乐器绣，该主题被开发之前呈现在一个倒置的和多样的形式由独奏. 不同于传统的发展中，调性提供了张力，定音鼓的性质意味着，发展是有节奏的，而不是音调. 广泛调节甚至会用踏板定音鼓明显存在的问题. 一个概括如下，并准华彩导致近强. 第二乐章. 谚语. 几乎是一首咏叹调. 定音鼓携带的旋律贯穿始终，并点缀以他们三五成群工具的合唱团呈现绣. 雅各，高超的配器，只允许四个酒吧全频段的. 由只有47杆结束，我们只剩下一个表达情绪的定音鼓自己唤出. 最后一个动作是一个欢蹦乱跳 - 显示雅各布的英语根基. 他的特性使用准民间材料非常适合于在带和定音鼓的节奏特性强调.