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原文

Trio for Flute, Marimba, & Piano. Flute sheet music. Marimba sheet music. Intermediate.

译文

Trio for Flute, Marimba, & Piano. 长笛乐谱. 马林巴琴乐谱. 中间.

原文

Trio for Flute, Marimba, & Piano composed by Jason DeCristofaro. Chamber Ensemble. For Flute, Marimba & Piano. flute, marimba. 4.5-octave. piano. Medium. Score and parts. Duration 5. 50. Published by C. Alan Publications. CN.17090. Elements of minimalism and impressionism create a colorful palette that evoke primitive textures in a modern chamber setting. The melodies are very simple, reminiscent of folk melodies, but it is through the use of quartal-quintal harmony, chordal extensions, counterpoint, and sharp contrasts in dissonance and consonance that transform the otherwise repetitive figures into organic sounding lines where all three instruments are engaging in what sounds like a spontaneous, improvised dialogue. This trio was written based around a pentatonic ostinato centered on B. As I wrote the piece, I incorporated elements of minimalism and impressionism to create a colorful palette that would evoke primitive textures in a modern chamber setting. The melodies are very simple, reminiscent of folk melodies, but it is through the use of quartal-quintal harmony, chordal extensions, counterpoint, and sharp contrasts in dissonance and consonance that transform the otherwise repetitive figures into organic sounding lines where are all three instruments are engaging in what sounds like a spontaneous, improvised dialogue.

译文

Trio for Flute, Marimba, & Piano composed by Jason DeCristofaro. 室内乐团. For Flute, Marimba & Piano. 长笛，木琴. 4.5倍频程. 计划. 中. 得分和零件. 持续时间5. 50. 发布时间由C.艾伦出版物. CN.17090. Elements of minimalism and impressionism create a colorful palette that evoke primitive textures in a modern chamber setting. The melodies are very simple, reminiscent of folk melodies, but it is through the use of quartal-quintal harmony, chordal extensions, counterpoint, and sharp contrasts in dissonance and consonance that transform the otherwise repetitive figures into organic sounding lines where all three instruments are engaging in what sounds like a spontaneous, improvised dialogue. This trio was written based around a pentatonic ostinato centered on B. As I wrote the piece, I incorporated elements of minimalism and impressionism to create a colorful palette that would evoke primitive textures in a modern chamber setting. The melodies are very simple, reminiscent of folk melodies, but it is through the use of quartal-quintal harmony, chordal extensions, counterpoint, and sharp contrasts in dissonance and consonance that transform the otherwise repetitive figures into organic sounding lines where are all three instruments are engaging in what sounds like a spontaneous, improvised dialogue.