活页乐谱 $45.00

原文

Lamb of God. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Tuba sheet music. Grade 5.

译文

上帝的羔羊. 大卫·吉灵厄姆. 降B大调小号乐谱. 低音长号乐谱. 鼓乐谱. 次中音号的乐谱. 喇叭乐谱. 锣鼓乐谱. 钢琴乐谱. 定音鼓乐谱. 图拔乐谱. 五年级.

原文

Lamb of God composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn 1. 2, Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, Piano, Timpani. 3 drums. , Percussion. Grade 5. Score only. Duration 12. 10. Published by C. Alan Publications. CN.05241. Lamb of God is a tone poem based on the story of the passion, cast in five connected sections progressing to the chronology of the story. There are vivid aural representations of Christ's torturous walk bearing his own cross, the nailing to the cross, the final words of Christ, the death of Christ, and a benediction. The work closes in Eb major, a chromatic change from G major which suggests eternity. Lamb of God is a tone poem based on the Christian story of the passion. The work is cast in five connected sections progressing to the chronology of the story. The motivic material, which unites the work, is taken from the Easter sequence, Victimae paschali laudesi. "Praises to the Paschal Lamb". In the Catholic Church, the "Paschal Lamb" is representative of Christ who was sacrificed on the cross to redeem the people. or "sheep". of the world. The first section, O crux, portare talentum mundi. "O Cross, to bear the treasure of the world". seeks to depict Christ's torturous walk bearing his own cross. Motives from the Easter sequence are clearly articulated under and over dissonant harmonies and a regular march-like rhythmic drive. There is even the incessant cracking of a whip throughout the section. As the site of crucifixion nears, there is a quieting of activity, taking pause at the thought of death with the xylophone continuing the intensity. The walk then resumes to the crucifixion and segues into the second section, Dux vitae mortuus. "The leader of life is slain". Announced by timpani and snare drum rolls, Christ is nailed to the cross. Muted bass drum and brake drum make the torture vividly clear. Crying dissonance in the ensemble, which grows with each successive nail, follows each nail. Intense suffering follows. An alto saxophone solo alludes to Hans Hassler's tune, O Sacred Head Now Wounded. This intensity grows to a climax on the penultimate strain of Hassler's tune. Sever chant-like statements follow this in piccolo, bass clarinet, bells and piano representing the final words of Christ. In the ensuing section, Sepulchrum Christi viventis. "I saw the sepulchre of the living Christ". , a timpani roll followed by three loud, grieving cries of the full ensemble signifies the stormy darkness following the death of Christ on the the cross. The section ends morbidly in C# minor. The vibraphone continues to sustain a C# into the next section, Surrexit Christus spes mea. "Christ my hope has risen". , which begins with small, but bright outbursts by bells and high woodwinds. The outbursts grow and begin to cascade joyously leading to dramatic strains of Victimae pachali laudes by the low brass. The section continues to grow in rhythmic and textural activity and finally reaches an apex in the key of C major. The final section, Agnus redemit oves. "The lamb has redeemed the sheep". , is a benediction in G major consisting of harp-like passages in the piano, chant-like motives and fragments of the Victimae paschali laudes. The work closes in Eb major, a chromatic change from G major which, to my ear, suggests eternity.

译文

上帝的羔羊由大卫吉林汉姆组成. 对于乐队演唱会. 短笛，长笛1. 2，双簧管1. 2，巴松管，降B调单簧管1，2，3，低音单簧管，中音萨克斯1. 2，次中音萨克斯，上低音萨克斯，降B小号1，2，3，喇叭1. 2，角3. 4，长号1. 2，低音长号，上低音号，大号，钢琴，定音鼓. 3鼓. ，打击乐器. 五年级. 分数只. 持续时间12. 10. 发布时间由C.艾伦出版物. CN.05241. 上帝的羔羊是基于激情的故事，一个音诗，投在五个相连的部分发展到了故事的年代. 有基督的曲折路程承载自己的十字架，钉在十字架上，基督，基督的死的最后一句话生动的听觉陈述和祝福. 这项工作在降E大调，从G大调半音改变，这意味着永恒关闭. 上帝的羔羊是基于激情的基督教故事诗音. 这项工作是投在五个相连的部分发展到了故事的年代. 的动机的材料，它联合了工作，取自复活节序列，Victimae paschali laudesi. “赞美的逾越节羔羊”. 在天主教教会中，“逾越节的羔羊”是代表基督被处死在十字架上谁赎回人. 或“羊”. 世界. 第一部分，O症结，portare talentum蒙迪. “O交叉，承担了世界的瑰宝”. 旨在描绘基督的曲折路程承载自己的十字架. 从复活节序列的动机之下，在刺耳的和声和常规行军般的节奏驱动都明确阐述. 有鞭子的整个部分甚至不断开裂. 为受难的部位接近，有活动的平息，采取暂停在死亡的思想与木琴持续力度. 步行然后恢复到受难和继续入第二部分，Dux品牌简历莫吐斯. “生命的领导人被杀”. 由定音鼓宣布和小鼓卷，基督被钉在十字架上. 柔和的低音鼓和制动鼓进行折磨历历在目. 哭了不和谐的合奏，生长与每个连续的指甲，遵循每个指甲. 强烈的痛苦如下. 中音萨克斯独奏暗示汉斯·哈斯勒的调教，O神圣的头现在受伤. 这个强度增长到了高潮哈斯勒上的调教的倒数第二应变. 断绝呗般的语句遵循这样的短笛，低音单簧管，钟声和钢琴代表基督的最后的话. 在随后的一节，Sepulchrum斯蒂viventis. “我看到活着的基督的坟墓”. ，一个定音鼓滚后跟完整的合奏三个响亮的，悲痛的哭声表示风雨飘摇的黑暗以下基督在十字架上的死亡. Раздел заканчивается болезненно в С. Вибрафон продолжает поддерживать C. “基督我的希望已上升”. ，开始与小，但明亮的爆发了钟声和木管乐器高. 的爆发成长，并开始愉快级联导致Victimae的戏剧性张力pachali laudes由低黄铜. 本节将继续在节奏和结构活性增长，最终达到在C大调的顶点. 最后一节，AGNUS redemit oves. “羔羊救赎羊”. ，是G大调一个祝福组成的竖琴般的通道，在钢琴的Victimae的呗样的动机和片段paschali laudes. 工作中的Eb各大关闭，从G大调半音的变化当中，我的耳朵，意味着永恒.