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原文

Marsch der Blaukehlchen. Leos Janacek. Piccolo sheet music. Grade 3.

译文

在蓝点颏三月. 莱奥什. 短笛乐谱. 三年级.

原文

Marsch der Blaukehlchen. For Piccolo Solo and Band. Composed by Leos Janacek. 1854-1928. Arranged by Jan Hawlin. For concert band. Piccolo Solo and Band. Arrangements of Classical Compositions. Molenaar Band Music. Recorded on Charleston Forever. ML.311041720. Grade 3. Score only. Duration 2 minutes, 33 seconds. Published by Molenaar Edition. ML.012297040-S. The Czech composer Leos Janacek. 1854-1928. , born and bred in the Moravian capital Brno, became famous at an advanced age. His composition style was rather modern. The imperatives of publicity obliged him to gather autobiographical data when his country celebrated his 70th birthday. So several youth memories came back to his mind. When he visited Berlin in March 1924 to attend the first performance of his opera 'Jenufa', he was impressed by a statue of Frederick II, the great flautist, nearby the Sanssouci Castle. This inspired him to compose this little children's march for piccolo flute and piano. In the composition he uses two images from his childhood. On one hand there is the scene of the marching students of the Augustinian Abbey at Altbrunn, where Janacek studied as a choir boy. These boys were dressed in a light-blue smock, hence their nickname. On the other hand there is the vision of the parading Prussian soldiers marching into Brno to the shrill tones of their fifes in 1866. Janacek did not use neither romantic nor classical style characteris-tics, though the elements are completely tonal and rather simple. By means of polytonal interactions he obtained a floating effect, intensified by the frequent use of fourth-sixth-chords. In this way, despite the apparent themes, the grotesque character of this vague souvenir is stressed.

译文

在蓝点颏三月. 对于小型独奏和乐队. 通过莱奥什组成. 1854-1928. 由Jan Hawlin安排. 对于乐队演唱会. 只有小乐队. 古典乐曲的安排. MOLENAAR Band音乐. 记录在查尔斯顿永远. ML.311041720. 三年级. 分数只. 时间2分33秒. 出版MOLENAAR版. ML.012297040-S. 捷克作曲家莱奥什. 1854-1928. 生于斯，长于斯，在摩拉维亚布尔诺的资本，成为著名年事已高. 他的作文风格相当现代化. 宣传的必要性迫使他自传收集数据时，他的国家庆祝了他的70岁生日. 于是几个年轻人的记忆回到了他的脑海. 当他参观了柏林1924年3月参加他的歌剧“Jenufa”的首次演出，他印象深刻的腓特烈二世，伟大的长笛演奏家，附近的无忧宫城堡的雕像. 这启发他创作这个小儿童三​​月短笛长笛和钢琴. 该组合物中，他使用了两个图像从他的童年. 一方面有奥古斯丁修道院的游行学生在Altbrunn，其中雅纳切克研究作为一个唱诗班男孩现场. 这些男孩子们身着淡蓝色罩衫，因此他们的绰号. 另外还有的游街普鲁士士兵行进到布尔诺他们的鼓笛的刺耳的音调在1866年的愿景. 雅纳切克没有使用既不浪漫也不是古典风格的特性tics，虽然元素是完全的色调和相当简单. 通过多调性的互动方式，他获得了浮动效果，通过频繁使用第四六和弦加剧. 以这种方式，尽管表观主题，这个模糊纪念品的奇形怪状字符被强调.