活页乐谱 $20.00

原文

Method for Trombone. Ernest Clarke. Trombone sheet music. Beginning.

译文

为长号方法. 欧内斯特·克拉克. 长号乐谱. 开始.

原文

Method for Trombone composed by Ernest Clarke. Arranged by Gordon Cherry. For trombone. Method Book. Beginner to intermediate. Coil bound booklet. Published by Cherry Classics. CY.CC2571. The Clarke Method for Trombone has some uncommon features not found in other method books. First, is the use of the key of "C" for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp. first. and flat keys through to six sharps and six flats by the end of exercise 155. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady "diet" of minor melody "built in" for him. her. Thirdly, Clarke uses no metronome markings. He explains. "each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. " His purpose is to avoid speeding through them. Clarke's exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to "relearn" the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing. without forcing. and relaxation. His phrase, "the breath is the life of the tone", is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, "the tongue is used merely as an aid in articulating – not as a necessity. the tone does not depend on the tongue. the tongue should not be made too important.

译文

为长号方法由欧内斯特·克拉克组成. 由Gordon樱桃安排. 对于长号. 法书. 初级到中级. 线圈装订的小册子. 出版樱桃经典. CY.CC2571. 克拉克方法长号有一些其他方法的书籍没有发现罕见的功能. 首先，是采用“C”键的初始练习33. 笔者再通过所有键的进展，交替锐. 第一. 并通过六个锐器和六个单位通过运动155年底平键. 其次，有没有纯粹的练习致力于小调. 然而，克拉克通过使用音阶和琶音的采用了轻微的模式在他所有的练习，所以其实表演者正在接收一个稳定的“饮食”小旋律“中建”为他. 她的. 第三，克拉克不使用节拍器标记. 他解释. “每次锻炼应认真练习了一遍又一遍，直到每一个困难得到彻底克服 - 直至行使可以通过正确地再现 - 然后再前往下一个. “他的目的是为了避免通过他们超速. 克拉克的练习是整个进步的关键，但是每个人开出轻松，以保持学生集中在新的密钥和新的进展音符，用它来. 对于高级的表演，这本书是作为一个伟大的方式后，从仪器休息来缓解回原状使用，让表演者认真，有条不紊地“重新学习”的仪器. 我用它也为基调的建筑，措辞和呼吸控制. 在本书中，克拉克提醒表演者总会产生一种高贵的声音，强调自然的演奏. 不强制. 和放松. 他的话说，就是“呼吸是基调的生命”，是用雷明顿在他的伟大的教学生涯，以及一个短语. 克拉克谈到吐音，说，“舌头只是用作关节的援助 - 不是必需品. 口气不依赖于舌头. 舌头不应该太重要了.