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原文

Festival Te Deum. Benjamin Britten. Choir sheet music. Organ sheet music.

译文

节赞美颂. 本杰明·布里顿. 合唱乐谱. 管风琴乐谱.

原文

Festival Te Deum. Treble Solo, SATB Chorus and Organ. Composed by Benjamin Britten. 1913-1976. For Choral. SATB, Organ. BH Large Choral. 24 pages. Boosey & Hawkes #M051481699. Published by Boosey & Hawkes. HL.48021233. ISBN 1458423530. 6.75x10.5 inches. Text. Book of Common Prayer. liturgy of Morning Prayer. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Britten's second setting of the Te Deum is completely different from the C major one he wrote eleven years earlier. It was composed for the centenary Festival of St. Mark's Church in Swindon - an Anglo-Catholic church with a strong choral tradition which continues to this day. The structure of the piece is also different from the earlier work. A lengthy first section in unison which, while carefully notated in a variety of time signatures so that it feels as if it has the freedom of Gregorian chant, is accompanied by static organ chords in a regular 3. 4 metre. It is a really imaginative approach, and is actually very simple to perform. While the organ chords continue, the choir breaks up into simple imitative phrases at 'The glorious company of the Apostles praise Thee' but soon returns to the unison lines of the opening. The central section. 'Thou art the King of Glory, O Chris't. has fanfare-like phrases from the choir interspersed by short dramatic outbursts from the organ which then subside into a rhythmic piano section with an important ostinato pedal part for the organ. These two ideas are then mixed together before the opening organ chords return and a treble. soprano soloist sings a lovely line. The choir joins and takes the canticle to its gentle conclusion with the soloist having the last word. This setting is more straightforward than the earlier one. It does, however, have rhythmic issues which have to be mastered fully to do it justice. The choir, for instance, must not be pulled off course by the different time signature for the organ part in the opening and closing sections. It is all very straightforward in reality, it just looks complicated. Britten has thoughtfully annotated the vocal rhythm throughout the organ part for safety. The organist needs to be a confident musician. Where Britten may write eminently practically for the abilities of a parish church choir, he does not make similar allowances for the organist and the accompaniment is key to the success of a performance of this and many other such works. Duration. 7 minutes. Paul Spicer, Lichfield, 2011.

译文

节赞美颂. 高音独唱，SATB合唱团和器官. 由本杰明·布里顿组成. 1913-1976. 对于合唱. SATB，器官. BH大型合唱. 24页. Буси. 出版布西. HL.48021233. 国际标准书号1458423530. 6.75x10.5英寸. 文本. 公祷书. 晨祷的礼仪. 发行人. 布西. 难度等级. 2-3. 在赞美颂的布里顿的第二个设置是从C最主要的一项，他十一年更加早期写完全不同. 它是由对圣马可教堂在斯温顿百年祭 - 盎格鲁 - 天主教具有较强的合唱传统，一直持续到今天. 片的结构也从早期的工作不同. 齐声其中，同时认真记谱中的各种时间签名，这样的感觉，就好像它有格列高利圣咏的自由一个漫长的第一部分，是伴随着静态器官和弦在常规3. 4米. 这是一个非常有想象力的做法，其实很简单执行. 而器官和弦继续，合唱团分解成简单的模仿词组在“使徒行光荣公司赞美你”，但很快返回到开放的齐声线. 中央部. “你是荣耀的王，O Chris't. 拥有从合唱团大张旗鼓样的短语从器官短戏剧性的爆发，然后消退到了一个重要的固定音型踏板部分有节奏的钢琴部分的器官穿插. 这两种想法，然后混合在一起的开幕器官和弦返回前一个高音. 女高音独唱唱可爱路线. 合唱团的加入，并采取颂歌它柔和的结论具有硬道理独奏者. 此设定值比前一个更为直接的. 它，然而，有哪些必须掌握充分做到公正节奏问题. 合唱团，例如，不能偏离方向拉由不同的拍在开幕器官和部分路段封闭. 现在的情况很简单的在现实中，它只是看起来复杂. 布里顿已经深思熟虑注明声乐节奏在整个器官的部分安全. 风琴需要一个自信的音乐家. 布里顿在哪里可以写突出实际的教区教堂唱诗班的能力，他不做出类似津贴的管风琴和伴奏是关键的这一表现的成功和许多其他作品. 长短. 7分钟. 保罗·斯派塞，利奇菲尔德，2011.