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原文

Prelude from 'Tristan and Isolde'. Geoffrey Brand. Cornet sheet music. English Horn sheet music. Grade 5.

译文

从“特里斯坦与伊索尔德”前奏曲. 杰弗里品牌. 短号乐谱. 英语角乐谱. 五年级.

原文

Prelude from 'Tristan and Isolde' composed by Geoffrey Brand. Arranged by Geoffrey Brand. For concert band. 1st Flute, 2nd Flute, 1st. 2nd Oboe, English Horn, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, 1st. 2nd Bassoon, 1st. 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd. 3rd Bb Corne. Band Music. Grade 5. Score only. Duration 9. 25. Published by C. Alan Publications. CN.S11276. Wagner finished the first act of Tristan and Isolde on the last day of 1857 and two years later he finished the entire opera. Yet it was not until 1865, after various disasters had prevented the piece being performed, that it was heard in public and the sensational opening of the Prelude at a stroke created a different harmonic framework for late 19th century music and beyond. Wagner finished the first act of Tristan and Isolde on the last day of 1857 and two years later he finished the entire opera. Yet it was not until 1865, after various disasters had prevented the piece being performed, that it was heard in public and the sensational opening of the Prelude at a stroke created a different harmonic framework for late 19th century music and beyond. Now, thanks to Geoffrey Brand's masterly arrangement, concert bands can experience Wagner's remarkable conception. Purists may argue that bands should prefer original works for the medium. But our musical understanding is not complete without reference points and who is to say that if we happen to play in a band not an orchestra we should not have the first-hand opportunity to experience these master works.

译文

前奏“特里斯坦与伊索尔德”由杰弗里品牌组成. 由Geoffrey品牌排列. 对于乐队演唱会. 第一长笛,长笛2,第1. 2双簧管,英国管,1降B调单簧管,2降B调单簧管,三降B调单簧管,降E中音单簧管,降B低音单簧管,第一. 2巴松管,第1. 2降E中音萨克斯,降B次中音萨克斯,降E上低音萨克斯管,一降B短号,第2. 3降B Corne. 乐队音乐. 五年级. 分数只. 持续9. 25. 发布时间由C.艾伦出版物. CN.S11276. 瓦格纳完成特里斯坦与伊索尔德的第一幕在1857年的最后一天,两年后,他完成了整个歌剧. 然而,它不是直到1865年,经过各种灾害已经阻止正在执行的一块,它是不公开审理和前奏一下子轰动开放创造了19世纪后期的音乐不同的谐波框架和超越. 瓦格纳完成特里斯坦与伊索尔德的第一幕在1857年的最后一天,两年后,他完成了整个歌剧. 然而,它不是直到1865年,经过各种灾害已经阻止正在执行的一块,它是不公开审理和前奏一下子轰动开放创造了19世纪后期的音乐不同的谐波框架和超越. 现在,由于杰弗里品牌的巧妙安排,音乐会乐队可以体验瓦格纳的非凡构想. 纯粹主义者可能会说,乐队应该更喜欢原创作品的媒介. 但我们的音乐的理解是不完整的没有参考点,谁是说,如果我们碰巧在一个乐队不是一个乐团演奏,我们不应该有第一手机会体验这些大师的作品.
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