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原文

Preludes, Volume 1. NFMC. Dianne Goolkasian Rahbee. Piano Solo sheet music. Intermediate.

译文

前奏曲,第1卷. NFMC. 戴安娜Goolkasian Rahbee. 钢琴独奏乐谱. 中间.

原文

Preludes, Volume 1. NFMC. composed by Dianne Goolkasian Rahbee. 1938-. and Dianne Goolkasian Rahbee. 1938-. Edited by Rebecca Raffaelli and Helen Marlais. For piano. Performance. The FJH Contemporary Keyboard Editions. This title is on the 2011-2012-2013 National Federation of Music Clubs list. Contemporary. SMP Level 5. Intermediate. Book. Published by The FJH Music Company Inc. FJ.J1017. ISBN 1-56939-633-7. Contemporary. This two-volume collection of preludes contains short character pieces with a wide range of emotional expression and a wide range of technical demands from intermediate to advanced. The performer may decide to program these preludes as single pieces or in groupings in any order. While written in part as pedagogical exercises, these preludes are beautifully constructed miniatures that take an honored place among the preludes of Chopin, Bach, and Scriabin. They are written as single compositions rather than in cycles like the preludes of Bach and Chopin. Some reflect the rhythms and dance forms found in the music of modernists like Ginastera and Ligeti and many are neo-romantic in style with emotionally expressive melodic content. This title has selections that range in difficulty from SMP Level 3-5. The FJH Contemporary Keyboard Editions is a series that focuses on the best contemporary music for keyboard of the late 20th and early 21st centuries. These collected works by some of today's leading art-music composers will expand a student's concept of rhythm, harmony, sound, and texture. While the composers invited to write for this series use a colorful palette of contemporary techniques and textures, they were selected for their strong musical voices, which ensure that the ultimate goal of musical communication is never lost. Too often, both students and teachers get discouraged with contemporary compositions because of their avant-garde sound. This series addresses that concern by providing excellent music which is both contemporary and intuitively musical. Contemporary performance practices such as depressing keys silently, cluster sounds, pedal effects, knocking on the keyboard, contemporary harmonies, jazz idioms, bitonality, modes, mixed and changing meters, and 12-tone techniques challenge the student to listen for new rhythmic gestures and tonal colors and expand their interpretive capacity. While expanding students' horizons, this series helps to confirm and reinforce the musical and technical concepts they are learning in their other repertoire. The natural musicality present in each of these pieces demands the same kind of careful attention that we expect from the standard canon of repertoire. This series is carefully leveled into the following categories. elementary, intermediate, early advanced, and advanced. Each of the works has been selected for its artistic as well as its pedagogical merit. Seventh chords and melodies in both hands. More difficult note reading with ledger lines above and below the staff. Prelude. In Memoriam. , Op. 116. Intermediate. Prelude, Op. 4, No. 8. Early Intermediate. Prelude. Escape to Inner Space. , Op. 138, No. 1. Prelude, Op. 4, No. 4. Intermediate. Prelude. from Three Preludes. , Op. 5, No. 1. Intermediate. Prelude. from Three Preludes. , Op. 5. , No. 2. Intermediate. Prelude. from Three Preludest. , Op. 5, No. 3. Intermediate. Prelude, Op. 46. Intermediate. Prelude. August, from Three Preludes. , Op. 87, No. 1. Late Intermediate. Prelude. Lullaby for Elias, from Three Preludes. , Op. 87, No. 2. Intermediate. Prelude. Celebration, from Three Preludes. , Op. 87, No. 3. Intermediate. Prelude. Melody. , Op. 88. Intermediate. Prelude. Chaotic Life in the 90's. , Op. 90. Intermediate. Three Holleck Preludes, Op. 115. Intermediate. --Prelude. Moving Along. , Op. 115, No. 2. --Prelude. Searching for Answers. , Op. 115, No. 1. --Prelude. A Garden of Fragile Flowers with Deep Roots. , Op. 115, No. 3. Prelude. Autumn. , Op. 89. Intermediate. Prelude. Dialogue, from Three Preludes. , Op. 18, No. 7. Intermediate. Prelude. Flute Frolic, from Three Preludes. , Op. 18, No. 1. Intermediate. Prelude. Capriccio, from Three Preludes. , Op. 18, No. 5. Intermediate. Prelude. Within. , Op. 62. Late Intermediate.

译文

前奏曲,第1卷. NFMC. 由戴安娜Goolkasian Rahbee组成. 1938 - . 和戴安娜Goolkasian Rahbee. 1938 - . 由Rebecca RAFFAELLI和海伦马尔莱斯编辑. 钢琴. 性能. 该FJH当代键盘版本. 这个称号是对音乐俱乐部的名单2011-2012-2013年全国联合会. 现代的. SMP 5级. 中间. 书. 发布的FJH音乐企业公司. FJ.J1017. 国际标准书号1-56939-633-7. 现代的. 此两卷前奏曲集合包含短字符件具有广泛的情感表达和广泛的技术需求,从中级到高级. 表演者可以决定在任何顺序执行这些前奏曲编程为单件或分组. 虽然写的部分作为教学练习,这些前奏曲精美的构造,把肖邦,巴赫和斯克里亚宾的前奏曲中上受到尊重的微缩模型. 它们被写成单一成分,而不是像巴赫和肖邦的前奏曲周期. 一些反映像希纳斯特拉和利盖蒂现代派的音乐找到​​了节奏和舞蹈形式,许多都是新浪漫主义的风格与情感表现力的旋律内容. 这个标题有选择,范围从SMP的3-5级难度. 该FJH当代键盘版本是一个系列,专注于最好的当代音乐为晚20的键盘和21世纪初. 这些作品收集一些当今领先的艺术音乐作曲家将扩大节奏,和声,声音和纹理的学生的概念. 而作曲家邀请撰写关于这个系列使用的现代技术和纹理丰富多彩的调色板,他们被选定为他们强烈的音乐声,这确保了音乐传播的终极目标永远不会丢失. 很多时候,学生和教师得到的,因为他们的前卫声音气馁当代成分. 该系列通过提供优秀的音乐这是当代和直观的音乐解决这一关切. 如郁闷键默默地,集群的声音,踏板效果器,敲在键盘上,现代和声,爵士成语,bitonality,模式,混合和改变米,12音技术,现代的表现手法挑战学生听的新节奏和手势色调的色彩和扩大他们的解释能力. 同时扩大学生的视野,这一系列有助于确认和巩固他们的学习在他们的其他剧目的音乐和技术概念. 自然的音乐出现在每个这些作品的要求相同类型的小心注意,我们从剧目的标准佳能期望. 该系列是经过精心调平分为以下类别. 初级,中级,早先进,先进. 每个作品已经被选择用于其艺术以及其教导的优点. 七和弦和旋律的双手. 比较难读谱与上面和下面的工作人员台账线. 序幕. 悼念. ,作品。 116. 中间. 前奏曲,作品。 4,第8号. 初,中级. 序幕. 逃亡异度空间. ,作品。 138号1. 前奏曲,作品。 4,第4号. 中间. 序幕. 从三首前奏曲. ,作品。 5号1. 中间. 序幕. 从三首前奏曲. ,作品。 5. ,第2号. 中间. 序幕. 从三Preludest. ,作品。 5号3. 中间. 前奏曲,作品。 46. 中间. 序幕. 8月,三首前奏曲. ,作品。 87号1. 中级后期. 序幕. 摇篮曲为以利亚,从三首前奏曲. ,作品。 87号2. 中间. 序幕. 庆祝活动,从三首前奏曲. ,作品。 87号3. 中间. 序幕. 旋律. ,作品。 88. 中间. 序幕. 混乱的生活在90年代. ,作品。 90. 中间. 三Holleck前奏曲,作品。 115. 中间. - 前奏曲. 顺动. ,作品。 115号2. - 前奏曲. 搜索答案. ,作品。 115号1. - 前奏曲. 脆弱的花根深的花园. ,作品。 115号3. 序幕. 秋. ,作品。 89. 中间. 序幕. 对话,从三首前奏曲. ,作品。 18号7. 中间. 序幕. 长笛嬉戏,从三首前奏曲. ,作品。 18号1. 中间. 序幕. 随想,从三首前奏曲. ,作品。 18号5. 中间. 序幕. 内. ,作品。 62. 中级后期.
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