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原文

Symphony No. 3. 2010. Anthony Ritchie.

译文

第三号交响曲. 2010. 安东尼·里奇.

原文

Symphony No. 3. 2010. composed by Anthony Ritchie. For orchestra. This edition. perfect bound, softcover. University Music Edition. Study score. 150 pages. Published by Promethean Editions. PO.UME01. ISBN 9790674521376. 305 x 220mm inches. The driving force and subject of Anthony Ritchie's third symphony is the idea of being human, which encompasses the full range of highs and lows of extreme emotions. Winner of 'The Supreme Achievement Award' by The Listener magazine in New Zealand. 2010. for the first performance, the work is bold in colour and gesture with challenging orchestrations that interweaves soloistic passages throughout all sections of the orchestra. The symphony portrays two sides of human personality, represented by the two movements of the work. 'Up' and 'Down'. Ritchie writes. 'the music depicts the constant struggle to find balance in one's life, in terms of mood and relationships with other people. ' The work is rich with layers of textures and colour, 'Up' underpinned by continual momentum forward, driven by the prominent log drum and tom toms of the percussion, bright brass and the upper registers of the woodwind. The second movement, 'Down', contrasts markedly with the first by being melancholic, slow and mournful in mood with interjections of agitated gestures. The tension that they create ultimately subsides as melodies of the strings emerge. This work reveals Ritchie's highly personal and compelling writing, and extracts the inner world of human emotion as a heightened experience through the orchestra. This publication is the first of the University Edition New Zealand Series, which showcases important works by leading composers in New Zealand.

译文

第三号交响曲. 2010. 由安东尼·里奇组成. 对于乐团. 此版本. 完美的装订成册,平装. 大学音乐版. 研究得分. 150页. 出版普罗米修斯版本. PO.UME01. ISBN 9790674521376. 305 X220毫米英寸. 安东尼·里奇的第三交响曲的驱动力,并须是做人的想法,这涵盖了全方位的极端情绪的高点和低点. 的“最高成就奖”由新西兰监听杂志赢家. 2010. 第一次执行,工作大胆的颜色和姿态与挑战的业务流程,在整个乐队的所有部分交织soloistic通道. 交响乐刻画人的个性的两个方面,通过工作的两个动作代表. '向上'和'向下'. 里奇写道:. “音乐描绘的不断努力寻找平衡在一个人的生活,在情绪方面,与其他人的关系. “这项工作是具有丰富的纹理和色彩层次,”上通过不断前进的动力“支撑,通过敲击的突出日志鼓和嗵鼓,明亮的黄铜和木管的上部寄存器驱动. 第二乐章,“打倒”,对比明显的首先是忧郁,缓慢而悲伤的情绪情绪激动的手势感叹词. 他们创造的张力,最终平息作为字符串的旋律浮现. 这项工作揭示了里奇的高度个人化的和令人信服的写作,并提取人类情感的内心世界,透过一个乐团经验加剧. 本刊物是第一大学版新西兰系列,它通过在新西兰领先的作曲家展示重要的作品.
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