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原文

Night. Robert W. Rumbelow. Grade 4.

译文

夜. 罗伯特W Rumbelow. 四年级.

原文

Night composed by Robert W. Rumbelow. For concert band. Bandworks. Grade 4.5. Score and set of parts. Published by Neil A. Kjos Music Company. KJ.WB229. This work is based on impressions evoked by the novel Night by 1986 Nobel Peace Prize winner, Elie Wiesel. The work is not a chronicle of the novel, but simply an expression based on select thoughts concerning the subject and composed with the intent on offering those who perform and hear the work another dimension through which to contemplate the atrocities of the Holocaust. The novel is an account of the Nazi death camp horror that turns a young Jewish boy. Wiesel. into an agonized witness to the death of his family, the death of his innocence, and the death of his God. Wiesel's accounts of concentration camps and death marches evoke a gray, ethereal, almost other-worldly tonal scheme which provided the genesis for the work. Movement I The Evening Air. 1941, sets a mood of eminent evil. A brief portion of the Kol Nidre, a prayer reserved exclusively for high holy days, is the text set to a simple and reverent original chant-melody. The excerpt of the text from the Kol Nidre should evoke a feeling of fasting or a meditative state. Both secular and sacred traditional Jewish music contain an altered dorian scale aspect and the trait of the augmented second. A motive from the traditional Hasidic hymn Avinu Malkenu III is quoted as a brief portion of this movement. The highlight of this traditional melody is the interval of the augmented second. The octatonic collection. used as the basis of composition in this work. contains many of the traditional features common to Jewish music. In fact, the interval of the augmented second is often renotated as a minor third. a defining feature of the octatonic collection. which is also the opening interval of Beethoven's Fifth Symphony. During World War II, Beethoven's motive represented a call for freedom and rallied the Allied forces throughout the war. Although this transformed augmented second appears from the beginning of the movement, it is highlighted towards the end. Movement II Faith of a Child, is comprised of an original chorale which complements a traditional chorale melody associated with the pure and simple hymn Hiney Ma Tov. The text. Hiney ma tov uma naim, Shevet a him gam yahad. The translation. How goodly it is and how pleasant for brethren to dwell together. This movement is representative of the traditional faith held by those around the young boy, and the thirst for religious enlightenment and faith. The spiritual relationships of the youth become critical in understanding the "night" which becomes his future. The key center of 'E' is retained from the first movement and refined as basically E minor. This represents the close relationship between the two movements on many levels. Movement III Darkness Descends. The Never Ending Night. The Loss of Faith. traces the descending darkness, all encompassing, which, in confusion, devours faith in the eternal Lord. The Sephardic hymn melody Adon Olam is briefly quoted as a representation of faith only to be quickly and completely devoured by darkness. the loss of faith. The text of Adon Olam is as follows. He is the eternal Lord, who reigned before any being had yet been created. when all was done according to His will, already then His name was King. And after all has ceased to be, still will He reign in solitary majesty. He was, He is, and He shall be in glory. And He is One. none other can compare to Him, or consort with Him. He is without beginning, without end. to Him belong power and dominion. And He is my God, my living Redeemer, my Rock in time of trouble and distress. He is my banner and my refuge, my benefactor when I call on Him. Into His hands I entrust my spirit, when I sleep and when I wake. and with my spirit, my body also. the Lord is with me, I will not fear. The melody to Adon Olam is stated within a musical texture that represents the "death marches" between concentration camps. With each "step" the faith is diminished and the darkness becomes more and more pronounced until all that is left is torture in a chaotic and meaningless world devoid of faith. The Allegro section of the work is representative of confusion. Trains, marches, the military machine, etc. are all part of the layered energy of this section. The ending is reminiscent of the first movement, but should seem rather empty and devoid of life. The ostinato figure in diminution is not resolved at the end of the work, just as the novel leaves the author's faith striped away and at an uncertain personal end.

译文

晚上由罗伯特W. Rumbelow组成. 对于乐队演唱会. Bandworks. 4.5级. 分数并设置部分. 发布时间由Neil A. KJOS音乐公司. KJ.WB229. 这项工作是基于诱发的小说夜由1986年诺贝尔和平奖获得者埃利·威塞尔印象. 这项工作是不是编年史的小说，但单纯依据有关课题选择的想法，并与提供那些谁通过它执行和听到的工作另一个层面去思考大屠杀暴行的意图组成的表达式. 小说是纳粹死亡集中营的恐怖，变成一个年轻的犹太男孩的账户. 威塞尔. 到一个痛苦的见证他的家人，他是无辜的死亡，和他的上帝之死的死。集中营和死亡行军的威塞尔的账户唤起一个灰色的，空灵的，几乎不食人间烟火的音调其中规定成因的工作方案. 运动我傍晚的空气. 1941年，设置的杰出的邪恶情绪. 该Kol的Nidre的简要部分，专供高圣天祈祷，是文本设置为一个简单而虔诚的原呗旋律. 从Kol的Nidre的文字摘录应该唤起空腹的感觉或冥想状态. 世俗和神圣的传统犹太音乐包含一个改变多利安规模方面和增强第二的特质. 从传统的哈西德派诗歌Avinu Malkenu三号甲动机是引述这一运动的简要部分. 这种传统旋律的亮点是增强第二间隔. 该octatonic集合. 用作组合物在此工作的基础. 包含了许多常见的犹太音乐的传统特色. 事实上，第二增强的间隔通常renotated作为次要第三. 该octatonic集合的定义特征. 这也是贝多芬第五交响曲的开放间隔. 二战期间，贝多芬的动机代表呼吁自由和整个战争凝聚了盟军. 虽然这个转化的增强第二显示从运动开始时，它被朝着端部突出. 运动二Faith之儿童，是由一个原始诗歌的补充与单纯的赞歌Hiney马TOV相关的传统诗歌的旋律。文字. Hiney马TOV乌玛·纳伊姆，Shevet一个他GAM yahad. 翻译. 多么优美的它是怎么觉着弟兄住在一起. 这一运动是代表那些周围的小男孩举行了传统的信仰和渴望宗教启示和信仰. 青年的精神关系成为关键在理解“夜”，这成为他的未来. “E”的主要中心从第一乐章被保留，细化为基本E小调. 这代表在许多层面上的两个运动之间的密切关系. 运动三黑暗降临. 永不落幕的夜. 信仰的丧失. 浪迹降黑暗，包罗万有，其中，在混乱，吞噬信仰永恒的主. 在西班牙系赞美诗的旋律阿东奥兰简要引述信心的表示只有被迅速而完全被黑暗吞噬. 信仰的丧失. 阿东奥兰的全文如下. 他是永恒的主，谁在位的任何存在还没有被创建之前. 当所有根据他的意愿做，已经那么他的名字是王. 毕竟已不再，仍然会统治他在孤独的威严. 他是，他是，他必在荣耀. 和他是一. 没有其他可以比较他，或者驸马与他. 他没有开始，没有结束. 祂属于权力和统治. 而他是我的神，我的生活的救赎，我在急难困苦时岩. 他是我的旗帜，我的避难所，我的恩人，当我请他发言。在他手里我委托我的精神，我睡觉的时候，当我醒来. 并与我的灵魂，我的身体也. 上帝与我同在，我必不惧怕. 旋律以阿东奥兰是一个音乐的质感，代表集中营的“死亡行军”中说. 随着每一个“步”的信念已经降低，黑暗变得越来越明显，直到所有剩下的就是在折磨一个混乱和无意义的世界缺乏信心. 这项工作的快板部分是代表混乱. 火车，游行，军方机等. 在本节的分层能量的一部分. 故事的结局也让人想起了第一乐章，而应该看起来比较空的，没有生命的. 在缩减的固定音型的数字还没有解决在工作结束，就如同小说离开笔者的信念条纹的路程，在一个不确定的个人结束.