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原文

The Metropolitan Opera Presents. Wolfgang Amadeus Mozart's Le Nozze di Figaro. Wolfgang Amadeus Mozart.

译文

大都会歌剧院礼物. 费加罗的莫扎特的婚姻. 莫扎特.

原文

The Metropolitan Opera Presents. Wolfgang Amadeus Mozart's Le Nozze di Figaro. Libretto, Background, and Photos. Composed by Wolfgang Amadeus Mozart. 1756-1791. Amadeus. Softcover. 296 pages. Published by Amadeus Press. HL.129494. ISBN 1574674617. 6x9 inches. Today Mozart's exquisite Le Nozze di Figaro delights and moves audiences everywhere, long after its 1786 birth into tumultuous times. The original Beaumarchais play raised a firestorm in France, then on the brink of revolution, with its dangerous commentary on class relations. However, Lorenzo Da Ponte carefully omitted anything political from his opera libretto. what remained, when joined with Mozart's sublime and penetrating music, was a witty yet profound tale of infatuation, heartache, scheming, and tenderness, where complex emotions are laid bare and everyone, regardless of class, is equally vulnerable to the powers of love. Figaro continues the story of The Barber of Seville several years later, in a single “day of madness. ” Count Almaviva's love, Rosina, is now his long-suffering countess, and the barber Figaro, now the count's valet, is about to marry Susanna, the countess's maid. But the couple-to-be must first deal with two obstacles. a demand that Figaro pay his debt to an older woman or marry her instead, and the count's determination to bed Susanna on her wedding night. Suspicions fly, plots are hatched, narrow escapes abound, and connivers receive their due. Love and forgiveness finally bring order to the craziness, and a day filled with torment and worry ends in joy.

译文

大都会歌剧院礼物. 费加罗的莫扎特的婚姻. 唱词，背景和照片. 由莫扎特组成. 1756-1791. 艾玛迪斯. 简装. 296页. 出版艾玛迪斯出版社. HL.129494. ISBN 1574674617. 6×9英寸. Today Mozart's exquisite Le Nozze di Figaro delights and moves audiences everywhere, long after its 1786 birth into tumultuous times. The original Beaumarchais play raised a firestorm in France, then on the brink of revolution, with its dangerous commentary on class relations. However, Lorenzo Da Ponte carefully omitted anything political from his opera libretto. what remained, when joined with Mozart's sublime and penetrating music, was a witty yet profound tale of infatuation, heartache, scheming, and tenderness, where complex emotions are laid bare and everyone, regardless of class, is equally vulnerable to the powers of love. Figaro continues the story of The Barber of Seville several years later, in a single “day of madness. ” Count Almaviva's love, Rosina, is now his long-suffering countess, and the barber Figaro, now the count's valet, is about to marry Susanna, the countess's maid. But the couple-to-be must first deal with two obstacles. a demand that Figaro pay his debt to an older woman or marry her instead, and the count's determination to bed Susanna on her wedding night. Suspicions fly, plots are hatched, narrow escapes abound, and connivers receive their due. Love and forgiveness finally bring order to the craziness, and a day filled with torment and worry ends in joy.