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原文

Pablo de Sarasate - Caprice Basque, Op. 24. Pablo de Sarasate. Violin Solo sheet music. Piano Accompaniment sheet music.

译文

萨拉萨蒂 - 巴斯克随想曲，作品。 24. 萨拉萨蒂. 小提琴独奏乐谱. 钢琴伴奏乐谱.

原文

Pablo de Sarasate - Caprice Basque, Op. 24. Violin and Piano. Composed by Pablo de Sarasate. 1844-1908. Edited by Friedemann Eichhorn and Wolfgang Birtel. For Violin, Piano Accompaniment. Score and Solo Part. String. Softcover. 30 pages. Schott Music #VLB170. Published by Schott Music. HL.49019372. Pablo de Sarasate. 1844-1908. is one of the most important and successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him. for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. In 'Caprice Basque'. Capricho vasco. Op. 24, Sarasate used Spanish folk tunes. He dedicated this piece to the composer, conductor and pianist Otto Goldschmidt, a pupil of Mendelssohn. This work is influenced by the typically dotted rhythm of the 'zortzico', a Basque dance in 5. 8 meter - a virtuoso and rousing piece for virtuosos.

译文

萨拉萨蒂 - 巴斯克随想曲，作品。 24. 小提琴与钢琴. 由萨拉萨蒂组成. 1844-1908. 由弗里德曼艾希霍恩和沃尔夫冈Birtel编辑. 小提琴，钢琴伴奏. 分数和独奏声部. 串. 简装. 30页. Schott Music #VLB170. 出版肖特音乐. HL.49019372. 萨拉萨蒂. 1844-1908. is one of the most important and successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him. for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. In 'Caprice Basque'. 巴斯克随想曲. Op. 24, Sarasate used Spanish folk tunes. He dedicated this piece to the composer, conductor and pianist Otto Goldschmidt, a pupil of Mendelssohn. This work is influenced by the typically dotted rhythm of the 'zortzico', a Basque dance in 5. 8 meter - a virtuoso and rousing piece for virtuosos.