活页乐谱 $19.99

原文

Complete Jazz Guitar Method. Jody Fisher. Electric Guitar sheet music. Advanced.

译文

完整的爵士吉他方法. 乔迪费舍尔. 电吉他乐谱. 先进.

原文

Complete Jazz Guitar Method. Mastering Jazz Guitar. Composed by Jody Fisher. For Guitar. This edition. Standard Notation Only. Book. CD. Guitar Method or Supplement. Method. Instruction. Technique Musicianship. Complete Method. Jazz. Advanced. 96 pages. Published by Alfred Music. AP.40647. ISBN 0739094432. Jazz. Mastering Jazz Guitar---now available in standard notation only. no TAB. ---is ideal for the serious student ready to take their playing to the next level. Expand the boundaries of your jazz guitar knowledge by learning chord. melody and improvisation skills with this exciting book---which picks up where the harmony and improvisation lessons in Intermediate Jazz Guitar leave off. In the chord-melody section, you will learn to play the harmony, melody, rhythm, and bass parts of any song simultaneously. Topics include integrating melody and harmony, developing bass lines, chord enhancement, quartal harmonies, and how to compose a guitar solo. Improvisation topics include playing over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales, and more. Loaded with easy-to-read scale diagrams, sample phrases, and arrangements of traditional melodies, this book is packed with essential information for jazz guitarists looking to master their craft. About the Author. Introduction. CHAPTER 1 -- RIGHT HAND OPTIONS. Pick Style. Fingerstyle Chords. Pick and Fingers Technique. CHAPTER 2 --COMBINING MELODY AND HARMONY. Lesson 1. Recognizing Chord Tones. Lesson 2. Guidelines for Arranging. Lesson 3. Chord Enhancement. Home on the Range. CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES. Lesson 1. Diads. Blue Bell Of Scotland. Lesson 2. Adding the Non-Chord Tone. Beautiful Dreamer. Lesson 3. Voice Leading. Lesson 4. Passing Chords. Virginny. Blues in G. Diminished Chords. mi7 flat 5. Half-Diminished. Chords. Blues In F. Lesson 5. Quartal Harmony. Single Notes. Octaves. CHAPTER 4 --ENHANCING CHORD PROGRESSIONS. Lesson 1. Passing-Chord Approaches. Lesson 2. The IV-I Approach. Lesson 3. The V7-I Approach. Lesson 4. The ii-V7-I Approach. Rum and Coke. Lesson 5. Backcycling Approaches. Lesson 6. Tritone Substitution Approach. Lesson 7. The Flat V7-I Approach. Lesson 8. The ii-V7-I and Alternate Cycles. Lesson 9. Surprise Chords. CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES. Lesson 1. The Basic Voicings. Lesson 2. Bass Lines---Scalewise Approach. Lesson 3. Bass Lines---Half-Step Approaches. Lesson 4. Bass Lines---Rhythm. Lesson 5. Bass Lines ii-V7-I Patterns. Everything You're Not. Lesson 6. Bass Lines---Combining Techniques. Accompaniment for Everything You're Not. CHAPTER 6 -- SEARCHING OUT NEW VOICINGS. Lesson 1. Moving Voices. Lesson 2. Symmetrical Chord Movement. Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing. Creating Arrangements. Listening to the Greats. Reality Check. Byesville. CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS. Lesson 1. The Diminished Scale. Train. Lesson 2. The Whole Tone Scale. Once. Lesson 3. The Super Locrian Mode. Diminished Whole Tone Scale. Moon. Lesson 4. Using the Altered Scale Over a ii-V7-I Progression. Lesson 5. Targeting the Altered Chords---The Altered Clusters. Lesson 6. Revamping Licks. CHAPTER 8 - THE MINOR SCALES AND THEIR MODES. Lesson 1. The Melodic Minor Scale. Lesson 2. The Modes of the Melodic Minor Scale. Lesson 3. Arpeggios in the Melodic Minor Scale. Lesson 4. The Harmonic Minor Scale. Lesson 5. The Modes of the Harmonic Minor Scale. Lesson 6. Arpeggios in the Harmonic Minor Scale. Lesson 7. The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression. CHAPTER 9 -- USING ARPEGGIOS. Lesson 1. Chord Superimposition. Lesson 2. Melodic Patterns Based Around Arpeggios. Lesson 3. Melodic Patterns Based Around Chord Shapes. CHAPTER 10 -- EIGHT-TONE SCALES. The Eight-Tone ii-V7 Scale. The Eight-Tone I Scale. CHAPTER 11 -- CONNECTING YOUR IDEAS. Lesson 1. The Chromatic Connection. Lesson 2. Accentuating the Difference Between Keys. Lesson 3. Repeating an Idea in Different Octaves. Lesson 4. Rhythmic Motives. Lesson 5. Melodic Connection. Lesson 6. Diatonic Connection. Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation. Playing on the Extensions Using Advanced Pentatonics. Playing on the Extensions Using Tones from 13 Chords. Playing with Wider Intervals. Octave Displacement. Symmetrical Motives. Conclusion.

译文

完整的爵士吉他方法. Mastering Jazz Guitar. 由乔迪费舍尔组成. 对于吉他. 此版本. 标准的符号只有. 书. 光盘. 吉他方法或补充. 方法. 指令. 技术音乐技巧. 完整的方法. 爵士乐. 先进. 96页. 发布时间由阿尔弗雷德音乐. AP.40647. ISBN 0739094432. 爵士乐. Mastering Jazz Guitar---now available in standard notation only. 没有选项卡. ---is ideal for the serious student ready to take their playing to the next level. Expand the boundaries of your jazz guitar knowledge by learning chord. melody and improvisation skills with this exciting book---which picks up where the harmony and improvisation lessons in Intermediate Jazz Guitar leave off. In the chord-melody section, you will learn to play the harmony, melody, rhythm, and bass parts of any song simultaneously. Topics include integrating melody and harmony, developing bass lines, chord enhancement, quartal harmonies, and how to compose a guitar solo. Improvisation topics include playing over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales, and more. Loaded with easy-to-read scale diagrams, sample phrases, and arrangements of traditional melodies, this book is packed with essential information for jazz guitarists looking to master their craft. 作者简介. 介绍. CHAPTER 1 -- RIGHT HAND OPTIONS. 挑款式. 指弹和弦. 挑选和手指技巧. CHAPTER 2 --COMBINING MELODY AND HARMONY. 第1课. Recognizing Chord Tones. 第2课. Guidelines for Arranging. 第3课. Chord Enhancement. 主页上的范围. CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES. 第1课. Diads. 蓝钟的苏格兰. 第2课. Adding the Non-Chord Tone. 美丽的梦想家. 第3课. 领先的语音. 第4课. 路过和弦. Virginny. G中蓝调. 减三和弦. mi7 flat 5. 半年缩水. 和弦. 蓝调使用F. 第5课. QUARTAL和谐. Single Notes. 八度. CHAPTER 4 --ENHANCING CHORD PROGRESSIONS. 第1课. Passing-Chord Approaches. 第2课. The IV-I Approach. 第3课. The V7-I Approach. 第4课. The ii-V7-I Approach. Rum and Coke. 第5课. Backcycling Approaches. 第6课. Tritone Substitution Approach. 第7课. The Flat V7-I Approach. 第8课. The ii-V7-I and Alternate Cycles. 第9课. Surprise Chords. CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES. 第1课. The Basic Voicings. 第2课. Bass Lines---Scalewise Approach. 第3课. Bass Lines---Half-Step Approaches. 第4课. Bass Lines---Rhythm. 第5课. Bass Lines ii-V7-I Patterns. 一切你不. 第6课. Bass Lines---Combining Techniques. Accompaniment for Everything You're Not. CHAPTER 6 -- SEARCHING OUT NEW VOICINGS. 第1课. 移动之声. 第2课. Symmetrical Chord Movement. Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing. Creating Arrangements. 听着伟人. Reality Check. Byesville. CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS. 第1课. 缩小比例. 火车. 第2课. The Whole Tone Scale. 一旦. 第3课. The Super Locrian Mode. Diminished Whole Tone Scale. 月亮. 第4课. Using the Altered Scale Over a ii-V7-I Progression. 第5课. Targeting the Altered Chords---The Altered Clusters. 第6课. Revamping Licks. CHAPTER 8 - THE MINOR SCALES AND THEIR MODES. 第1课. 旋律小调音阶. 第2课. The Modes of the Melodic Minor Scale. 第3课. Arpeggios in the Melodic Minor Scale. 第4课. The Harmonic Minor Scale. 第5课. The Modes of the Harmonic Minor Scale. 第6课. Arpeggios in the Harmonic Minor Scale. 第7课. The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression. CHAPTER 9 -- USING ARPEGGIOS. 第1课. 和弦叠加. 第2课. Melodic Patterns Based Around Arpeggios. 第3课. Melodic Patterns Based Around Chord Shapes. CHAPTER 10 -- EIGHT-TONE SCALES. The Eight-Tone ii-V7 Scale. The Eight-Tone I Scale. CHAPTER 11 -- CONNECTING YOUR IDEAS. 第1课. The Chromatic Connection. 第2课. Accentuating the Difference Between Keys. 第3课. Repeating an Idea in Different Octaves. 第4课. Rhythmic Motives. 第5课. Melodic Connection. 第6课. Diatonic Connection. Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation. Playing on the Extensions Using Advanced Pentatonics. Playing on the Extensions Using Tones from 13 Chords. Playing with Wider Intervals. Octave Displacement. Symmetrical Motives. 结论.