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原文

Orgelsinfonie No. 8. Enjott Schneider. Organ Solo sheet music.

译文

Orgelsinfonie 8号. Enjott施耐德. 器官独奏乐谱.

原文

Orgelsinfonie No. 8. In Memoriam. Composed by Enjott Schneider. For organ. This edition. ED 20669. Saddle-stitch. Organ Music. Enjott Schneider knupft in seiner Orgelsinfonie Nr. 8 "In Memoriam" an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral "Wachet auf, ruft uns die Stimme" gegenuber. Eine spannende und aufwuhlende Mu. Grade 4. Composed 2009. 62 pages. Duration 32 minutes. Published by Schott Music. SD.49018083. ISBN 9790001168670. In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt. and dedicatee of the work. , Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements. typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series. in the third movement. , embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.

译文

Orgelsinfonie 8号. 悼念. 通过Enjott施耐德组成. 器官. 此版本. ED 20669. 骑马订. 管风琴音乐. Enjott Schneider knupft in seiner Orgelsinfonie Nr. 8 "In Memoriam" an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral "Wachet auf, ruft uns die Stimme" gegenuber. Eine spannende und aufwuhlende Mu. Grade 4. 2009组成. 62页. 时间32分钟. 出版肖特音乐. SD.49018083. ISBN 9790001168670. In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt. and dedicatee of the work. , Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements. typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series. in the third movement. , embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.