活页乐谱 $16.00

原文

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

译文

Awatovi. 巴松管乐谱. 单簧管独奏乐谱.

原文

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

译文

Awatovi组成，由丹尼尔·鲍德温. 单簧管，巴松管. 5级. 出版想象音乐. IG.CMS126. 该Awatovi遗址，位于亚利桑那州，曾经是一个繁荣的霍皮人的村庄，存在了450多年之前，他们的第一个访客来到1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi，超过150年，享有与西班牙人相当和平共处之后，但到1700年，终于来到了因循守旧霍皮族和转换天主教徒之间的冲突. 其结果是，传统主义者屠杀的转换，然后摧毁了村庄. 象征性地，村里的下降标志着霍皮人的生命西班牙语干扰的结束. 由大管开行代表为首的科罗纳那些最初的探险家的混合意图，是为了表达西班牙和美国原住民的声音. 这也是对未来的愿景的日子里，美丽而贫瘠的废墟令人难以忘怀的伏笔来. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. 虽然科罗纳的探索并非没有冲突，我选择了把重点放在他的使命的和平性质. 有两部分在这里. 无论是西班牙味，但首先是代表了探索，而第二部分的目的是提出一个营火歌，反映什么的征程可能已经喜欢在夜间，因为他们休息，聊天，唱歌. 这导致成运动2. 基瓦. The Kiva murals were discovered in theAwatovi ruins. 他们是代表霍皮部落的仪式和庆典画. I have used the style of NativeAmerican flute music to portray this. 接下来是号角，或厄尔尼诺Deguello，代表和由大管演奏. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. 音乐转移到代表实际的攻击，这是一个非常不搭调的和戏剧性的过渡通道描绘. 最后，基瓦圈回在一个不同的密钥，象征着转变观念从西班牙征服者，要霍皮族后裔的开料. Awatovi是写在建议我的好朋友里克·琼斯，以及由理查德·雷米和双簧管和巴松管球员组成的财团支持. 感谢大家对你的眼光和支持该项目的. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. 单簧管，巴松管和钢琴版首演于2012 IDRS会议在美国俄亥俄州的迈阿密大学罗伯特和玛丽楠乔丹在2012年7月9日.