活页乐谱 $20.00

原文

Barbaric Passages. score & parts. Marimba sheet music. Percussion sheet music. Intermediate.

译文

野蛮的经文. 得分. 马林巴琴乐谱. 锣鼓乐谱. 中间.

原文

Barbaric Passages. score & parts. composed by Joe W. Moore. For percussion duet. 5-octave Marimba. shared. Percussion 1. Small Cymbal, Resonant Metal, Bongos, Double Headed Tom-Tom, Field Drum, Surdo. Bass Drum. Percussion 2. Resonant Metal, Tambourine, 2 Woodblocks, 2 Congas, Djembe. Low Drum. Medium. Score & parts. Duration 7. 00. Published by C. Alan Publications. CN.19800. Playing on the tribal nature of percussion instruments, Joe Moore has created a dazzling work of virtuosity for two players sharing a marimba and playing off their own multi-percussion set-ups. Barbaric Passages was commissioned by Robert Giovanelli and Patrick Chapman. This work was premiered on their joint recital at the University of South Carolina in the spring of 2011. When writing this work I envisioned the barbaric nature of percussion from nation to nation and country to country. Most, if not all percussion instruments have a tribal nature about them and I wanted to portray this idea in the work. There was also a process in choosing the instrumentation. I chose the marimba, metal sounds, and wood sounds to represent the earth itself. I chose the drums to represent the tribal. war-like natures of different countries. The drums I have selected have war. tribal usage in their historical origin. Most of all, I wanted to write a work that was fun and challenging for the performers, as well as engaging and enjoyable for the audience.

译文

野蛮的经文. 得分. composed by Joe W. Moore. 对于打击乐二重奏. 5倍频程马林巴. 共享. 打击乐1. Small Cymbal, Resonant Metal, Bongos, Double Headed Tom-Tom, Field Drum, Surdo. 低音鼓. 打击乐2. Resonant Metal, Tambourine, 2 Woodblocks, 2 Congas, Djembe. 低鼓. 中. 得分. 持续时间7. 00. 发布时间由C.艾伦出版物. CN.19800. Playing on the tribal nature of percussion instruments, Joe Moore has created a dazzling work of virtuosity for two players sharing a marimba and playing off their own multi-percussion set-ups. Barbaric Passages was commissioned by Robert Giovanelli and Patrick Chapman. This work was premiered on their joint recital at the University of South Carolina in the spring of 2011. When writing this work I envisioned the barbaric nature of percussion from nation to nation and country to country. Most, if not all percussion instruments have a tribal nature about them and I wanted to portray this idea in the work. There was also a process in choosing the instrumentation. I chose the marimba, metal sounds, and wood sounds to represent the earth itself. I chose the drums to represent the tribal. war-like natures of different countries. The drums I have selected have war. tribal usage in their historical origin. Most of all, I wanted to write a work that was fun and challenging for the performers, as well as engaging and enjoyable for the audience.