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原文

A Downland Suite. John Ireland. Grade 5.

译文

一个丘陵套房. 约翰·爱尔兰. 五年级.

原文

A Downland Suite composed by John Ireland. 1879-1962. For concert band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe. , Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit. Band Music. Grade 5. Band score. Duration 16. 30. Published by C. Alan Publications. CN.S11006. A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy. but played four times as fast. and the Minuet is the Elegy theme in inversion. A Downland Suite is one of a pair of works Ireland wrote for brass band. the other being Comedy Overture. in the 1930s. Both were commissioned by the National Brass Band Championships of Great Britain, and this piece was completed in 1932. Ray Steadman-Allen's skillful arrangement was published in 1985. Interestingly, the composer himself freely adapted the Elegy and Minuet for String Orchestra and the adaptation of the outer movements for strings was undertaken some years later by Geoffrey Bush, one of Ireland's many eminent composer pupils. A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet with formal repeats and full Trio, and a last movement which utilizes the Rondo framework of a recurring theme reappearing in different keys. But within this classical form are unsettling elements. The tonal relationships between movements of the suite becomes more remote as the work progresses. The first movement is in C Minor, the second in Eb Major, the third in Bb Major. with a Trio in Bb Minor. and the last opens in G Minor and ends with blazing fanfares in G Major, a long way from the sombre mood of the opening. The phrase structure of the Minuet is sometimes unexpected. an 8-bar phrase opens, but Ireland mirrors it with a 9-bar phrase. In fact, throughout the work, the music reaches over bar-lines, phrases are extended, and strong beats displaced. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy. but played four times as fast. and the Minuet is the Elegy theme in inversion. The interval of the fourth. sometimes manifested as a falling fifth. is emphasized throughout the first movement. Add to this the octave leaps, the pillars around which the Prelude is constructed, which find their way into the Rondo as the opening accompaniment, and the mature composer's high art of achieving unity within diversity of structure and style is revealed.

译文

由约翰·爱尔兰组成的丘陵套房. 1879-1962. 对于乐队演唱会. 短笛，长笛第一，第二长笛，双簧管1，第2双簧管. ，降E单簧管. ，第一降B调单簧管，2降B调单簧管，三降B调单簧管，降E中音单簧管. ，降B低音单簧管，巴松管1，第2巴松管. ，第一降E中音萨克斯，降E 2中音萨克斯，降B次中音萨克斯，降E Barit. 乐队音乐. 五年级. 带得分. 持续时间16. 30. 发布时间由C.艾伦出版物. CN.S11006. 一个丘陵套房是经典的结构，揭示了自己在前奏的松散的奏鸣曲形式，歌般的悲歌中，小步舞曲，并利用朗多最后的运动. 运动之间的紧密团结的主题给出了工作凝聚力. 该悲歌旋律提供了内核和上升的第四个间隔是精液. 爱尔兰赋予我们的线索重复的挽歌主题在最后一个乐章. 事实上，开隆多题材几乎是挽歌. 但播放速度的四倍. 而小步舞曲是挽歌主题反演. 一个丘陵Suite是一对爱尔兰的作品写的铜管乐队之一. 另一个是喜剧序曲. 在20世纪30年代. 两个由英国国家铜管乐队锦标赛委托，这件作品是在1932年完成. 雷斯特德曼 - 阿伦的巧妙安排，于1985年出版. 有趣的是，作曲家本人改编自由的挽歌和小步舞曲的弦乐团和外运动字符串的改编是由杰弗里·布什，爱尔兰的许多著名作曲家的学生之一进行了一些年后. 一个丘陵套房是经典的结构，揭示了自己在前奏的松散的奏鸣曲形式，歌般的悲歌中，小步舞曲与正规重复和全三重奏，并利用一个反复出现的主题再次出现在不同的密钥的朗多一个框架，最后一个乐章. 但在这个古典形式是令人不安的因素. 该套件的运动之间的色调关系变得更加遥远，工作的进展. 第一乐章为C小调，第二次在降E大调第三B大. 与三重奏降B小调. 和G小调最后打开和G大，从开幕的沉郁的气氛很长的路要走炽烈声浪结束. 小步舞曲的短语结构有时是意想不到的. 8栏语打开，但爱尔兰反映其与9栏语. 事实上，在整个工作中，音乐达到了间条，词组扩展，强大的节拍流离失所. 运动之间的紧密团结的主题给出了工作凝聚力. 该悲歌旋律提供了内核和上升的第四个间隔是精液. 爱尔兰赋予我们的线索重复的挽歌主题在最后一个乐章. 事实上，开隆多题材几乎是挽歌. 但播放速度的四倍. 而小步舞曲是挽歌主题反演. 第四次的间隔. 有时表现为下降第五. 整个第一运动被强调. 再加上八度跳跃，周围的前奏构造的支柱，其中找到自己的方式进入朗多作为开场伴奏，以及成熟的作曲家的高雅艺术实现内部结构和风格多样性的统一的显露.