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原文

Tenebrae. Enjott Schneider. Soprano Voice sheet music. Voice Solo sheet music. Organ Accompaniment sheet music.

译文

Tenebrae. Enjott施耐德. 女高音声乐谱. 独唱乐谱. 风琴伴奏乐谱.

原文

Tenebrae. Tropus. Composed by Enjott Schneider. For soprano voice, violin and organ. This edition. ED 9668. Saddle-stitch. Vocal Music. Grade 4. Score and parts. Composed 1990. 56 pages. Duration 18 minutes. Published by Schott Music. SD.49013058. ISBN 9790001135658. In this composition Schneider uses the famous words from the liturgy for Good Friday. "Darkness fell, and on the ninth hour Jesus called out with a loud voice. My God, why hast Thou forsaken me. " Here he draws on the earlier form of the "trope", using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of suggesting links across the ages - TENEBRAE makes reference to the motet "Tenebrae factae sunt". Schott, C 51305. by Davide Perez. 1711-1782. , from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962. Organ plays from score.

译文

Tenebrae. Tropus. 通过Enjott施耐德组成. 对于女高音的声音，小提琴和器官. 此版本. ED 9668. 骑马订. 声乐. 四年级. 得分和零件. 由1990. 56页. 时间18分钟. 出版肖特音乐. SD.49013058. ISBN 9790001135658. In this composition Schneider uses the famous words from the liturgy for Good Friday. "Darkness fell, and on the ninth hour Jesus called out with a loud voice. 我的神，为什么离弃我。. " Here he draws on the earlier form of the "trope", using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of suggesting links across the ages - TENEBRAE makes reference to the motet "Tenebrae factae sunt". Schott, C 51305. by Davide Perez. 1711-1782. , from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962. Organ plays from score.