活页乐谱 $90.00

原文

Ouverture fur Harmoniemusik. score & parts. Felix Bartholdy Mendelssohn. B-Flat Trumpet sheet music. Horn sheet music. Oboe sheet music.

译文

作为开幕Harmoniemusik. 得分. 费利克斯·门德尔松尔迪. 降B大调小号乐谱. 喇叭乐谱. 双簧管乐谱.

原文

Ouverture fur Harmoniemusik. score & parts. Op. 24. Composed by Felix Bartholdy Mendelssohn. 1809-1847. Arranged by M. Asbill & K. Geraldi. Wind Ensemble. For Wind Ensemble. One on a part. Piccolo Flute Oboe 1 Oboe 2 E-flat Clarinet 1 E-flat Clarinet 2 B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Clarinet 4 Bassoon 1 Bassoon 2 Contrabassoon F Horn 1 F Horn 2 F Horn 3 F Horn 4 B-flat Trumpet 1 B-flat Trumpet 2. Grade 5. Score & parts. Duration 9. 00. Published by C. Alan Publications. CN.18880. Written at the ripe age of 15, Mendelssohn's Ouverture, op. 24 demonstrates his musical maturity from a very young age. Set in sonata form, the work begins with a slow, highly melodic introduction that leads into a quick allegro filled with counterpoint and polyphonic imitation. Asbill and Geraldi have done a masterful job of adapting the original work for the modern wind ensemble. Felix Mendelssohn was a prolific composer from a very young age, and was also one of the finest keyboardists of his time. Born into one of Germany's most cultured 19th century families, Mendelssohn's parents home schooled their children on a very strict routine. Their studies included music, history, Greek, Latin, science, literature, and drawing. Felix formed a particularly strong bond with his older sister, Fanny, who became a successful composer in her own right. The Mendelssohn home was a gathering point for conservative German intellectuals and philosophers organized by Moses Mendelssohn, Felix's grandfather,. His father, Abraham, was a wealthy banker intent on providing his family with the best possible opportunities for education and culture. Karl Friedrich Zelter was the young composer's primary music teacher. Mendelssohn's comprehensive musical education emphasized correctness, propriety, and formal clarity. His models included not only the Romantics of the early 19th century, but also 18th century figures, such as Bach and Mozart. Mendelssohn made his debut as a pianist at age nine in 1818 and in 1819 the Berlin Singakadamie presented the first public performance of one of his compositions. The Mendelssohn family enjoyed summer holidays in various locations around Europe, where Felix formed professional connections with eminent historical figures, including Goethe and Spohr. During the summer of 1824, Mendelssohn vacationed with his father at the northern German community of Bad Doberan. This resort was known for its spas, many of which employed small Harmonie ensembles to perform daily concert. While in Bad Doberan, Mendelssohn composed his Notturno for eleven instruments - pairs of oboes, clarinets, horns, and bassoons, plus additional parts for flute, trumpet, and English basshorn - and the work received its premiere on July 24, 1824. In 1838, the composer rescored the work for large German wind band and re-titled it Overture, Op. 24. At this time, Mendelssohn sought to have the work published in three versions. the original for 11 instruments, the expanded version, and a setting for piano four-hands. Simrock accepted the works, but did not publish them until 1852, five years after the composer's death. The work is in sonata form with a slow, highly melodic introduction. Its balanced phrase structures and restrained expressive sensibility are characteristic of Mendelssohn's style. The Allegro presents a succession of short motives, with the second theme serving as the only melody of any length. The development explores the young composer's sense of classical counterpoint through the use of polyphonic imitation. Originally composed when Mendelssohn was only 15 years old, the Overture, Op. 24, illustrates his maturing compositional voice. EDITORIAL COMMENTS In the years since Mendelssohn's work was composed in the 1830s, numerous scores, adaptations, and editions have been published to make the piece accessible for performance. This new edition was created in order to make the original version easily performable by a modern wind ensemble. The editors' intention was to remain as faithful as possible to Mendelssohn's original concept, while adapting the instrumentation for modern performers. In this process, discrepancies, inconsistencies, and inaccuracies between individual parts and previously existing editions were reconciled. The source material used included an 1876 reprint by Breitkopf & Hartel of the original 1852 score, the critical edition score published by Barenreiter, and the 4-hand piano score published by Simrock. To achieve these goals, the editors needed to make decisions regarding instrumentation and notation. Mendelssohn's original ensemble included a pair of F soprano clarinets and a pair of Basset horns. The editors have transposed and edited these parts for two E-flat clarinets and two additional B-flat clarinets, with little to no effect upon register or timbre. The obsolete English bass horn that Mendelssohn requires in his score has been included as a part for Euphonium. For convenience, the editors transcribed the trombone parts, originally notated in alto or tenor clef, all to bass clef. The snare drum notation was clarified and simplified to reflect the more regimental drumming technique of the period, while remaining easily readable to modern players. Lastly, details of dynamics and articulations were coordinated between parts and adjusted to match the reprinted score from 1852.

译文

作为开幕Harmoniemusik. 得分. 运算。 24. 由费利克斯·门德尔松尔迪组成. 1809-1847. 由M. Asbill安排. 管乐团. 对于管乐团. 其中一个部分. 短笛长笛双簧管1双簧管2高音单簧管1高音单簧管2 B大调单簧管1 B-平单簧管2 B大调单簧管3 B大调单簧管4巴松管1巴松管2低音巴松管˚F喇叭1μF喇叭2 F喇叭3 ˚F喇叭4 B大调小号1 B-平小号2. 五年级. 得分. 持续9. 00. 发布时间由C.艾伦出版物. CN.18880. 写在第15，门德尔松的Ouverture，运的熟龄. 24显示了他成熟的音乐从一个非常年轻的年龄. 坐落在奏鸣曲形式，工作开始缓慢，高度旋律引进了通向快速快板充满了对位及和弦仿. Asbill和Geraldi做调整原来的工作，为现代风合奏一个熟练的工作. 门德尔松是从一个非常年轻的年龄一位多产的作曲家，并且也是他那个时代最优秀的键盘手之一. 出生于德国的最有气质的19世纪的家族之一，门德尔松的父母在家接受教育自己的孩子在一个非常严格的程序. 他们的研究包括音乐，历史，希腊文，拉丁文，科学，文学，绘画. 菲利克斯形成与他的姐姐，范妮，谁成为一个成功的作曲家在她自己的权利特别强大的债券. 门德尔松的家是一个聚集点摩西·门德尔松，菲利克斯的祖父举办保守的德国知识分子和哲学家，. 他的父亲，亚伯拉罕，是在提供他的家庭与教育和文化的最佳机会，一个富裕的银行家意图. 卡尔·弗里德里希Zelter是年轻的作曲家的主要音乐教师. 门德尔松的综合音乐教育强调正确性，礼，和正式的清晰度. 他的模型包括19世纪初的不仅是浪漫主义者，也18世纪的人物，如巴赫和莫扎特. 门德尔松在1818年做​​了他的首演作为一个钢琴家，在9岁和1819年柏林Singakadamie介绍他的作品之一的首次公开演出. 门德尔松的家庭享受暑假在欧洲各地，其中菲利克斯形成专业的连接与著名的历史人物，包括歌德和斯波尔斯不同地点. 在1824年的夏天，门德尔松与度假，他的父亲在巴特多贝兰的德国北部社区. 这个度假胜地是著名的温泉，其中许多采用小防敏合奏执行日常音乐会. 而在巴特多贝兰，门德尔松他诺图尔诺了十仪器 - 双双簧管，单簧管，角，巴松管，再加上额外的配件为长笛，小号，和英语basshorn - 和工作接受了它的首演于1824年7月24日. 1838年，作曲家rescored的大型德国风带和工作改称为它的序曲，作品。 24. 此时，门德尔松寻求已发表在三个版本的工作. 原为11的仪器，扩展版本，并为钢琴四手的设置. Simrock接受的作品，但没有公布，直到1852年，五十年后的作曲家的死亡. 这项工作是奏鸣曲形式与慢，高度旋律介绍. 其平衡的短语结构和克制情感表现是门德尔松的风格特点. 快板呈现短期动机继承，与第二个主题作为任何长度的唯一旋律. 开发通过使用和弦仿古典探索对位的年轻作曲家的感觉. 最初由门德尔松的时候只有15岁，序曲，作品24，说明他的成熟作曲的声音. 编者按自从门德尔松的作品是在19世纪30年代由多年来，无数的成绩，调整和版本已经出版，使这块访问性能. 这个新版本是为了用现代风合奏，使原来的版本很容易performable创建. 编者的意图是要保持尽可能忠实于门德尔松的原始概念，同时适应的仪器现代表演. 在这个过程中，偏差，不一致，和各个部件和先前存在的版本之间的误差被和解. 所使用的原材料包括了1876年重印Breitkopf. 为了实现这些目标，编辑需要作出关于仪器仪表和记法的决定. 门德尔松的原创乐团包括一对˚F女高音单簧管和一对巴吉牛角. 编辑们换位和编辑这些部件有两个E-平单簧管和两个额外的B-平单簧管，很少或几乎在寄存器或音色没有影响. 过时的英语低音号角的门德尔松在需要他的得分已经列为次中音号的一部分. 为方便起见，编辑转录的长号部分，原本在记谱中音还是高音谱号，全部低音谱号. 小鼓符号澄清和简化，以反映这一时期的团以上击鼓技巧，而其余的易读的现代球员. 最后，动态和关节的细节部分之间进行协调和调整，转载得分从1852年匹配.