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原文

Nocturne et Rondo op. 71. Kurt Hessenberg. Horn sheet music. Piano Accompaniment sheet music.

译文

夜曲和朗多运. 71. 库尔特上Hessenberg. 喇叭乐谱. 钢琴伴奏乐谱.

原文

Nocturne et Rondo op. 71. 4 composed by Kurt Hessenberg. For horn in F and piano. This edition. COR 20. Saddle-stitch. Brass. Wind Music. Il Corno. Grade 3-4. 16 pages. Duration 6 minutes, 30 seconds. Published by Schott Music. SD.49018929. ISBN 9790001170314. Even though the Frankfurt composer Kurt Hessenberg. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment. flute, oboe, clarinet, horn and bassoon. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.

译文

夜曲和朗多运. 71. 4 composed by Kurt Hessenberg. 对于喇叭在F和钢琴. 此版本. COR 20. 骑马订. 黄铜. 风音乐. 非洲之角. 3-4级. 16页. 持续6分30秒. 出版肖特音乐. SD.49018929. ISBN 9790001170314. 尽管法兰克福作曲家库尔特上Hessenberg. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. 终其一生都上Hessenberg仍然忠实于这些流派. 1958年至19​​63年，他写了他拼凑成的Opus 71中，他让管乐五重奏的五件乐器都有他们的“说”，并分别与钢琴伴奏5缩影. 长笛，双簧管，单簧管，圆号和大管. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.