活页乐谱 $32.00

原文

The Hunt. B-Flat Trumpet sheet music. Grade 5.

译文

亨特. 降B大调小号乐谱. 五年级.

原文

The Hunt. Marimba Feature. Composed by Noah D. Taylor. For Soloist. with Concert Band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F. Maestro Band Series. Grade 5. Wind ensemble score only. Duration 11. 00. Published by C. Alan Publications. CN.10933. Originally written for solo marimba and percussion ensemble, Taylor has reworked "The Hunt" as a solo feature with wind ensemble. As the title implies, the work is a programmatic and virtuosic fantasy that expresses how the calm of nature can been overtaken by the thrill of the hunt in a wild chase. The Hunt, composed for marimbist Brenton Dunnington, was originally written for marimba and percussion orchestra in July 2004. It has been reworked here for marimba and wind ensemble. Taylor captures two main themes throughout the free formed, rhapsodizing work. The Fantasy opens with a chorale in B-flat minor played by the solo marimbist and several other members of the ensemble. This chorale expresses Taylor's awe-inspired feelings for nature. As the chorale hymn fades away into the distance, an ominous foreshadowing of the hunt ensues. The second theme is the actual hunt that occurs in the wild. This fast, intense music based around the octatonic scale in many tonalities reflects the danger and carnage that exists, not just among animals, but the elements as well. Throughout this virtuoso section, there are film-like visualizations of the 'hunter' pursuing the unknowing 'hunted. ' After vivid interplay and a final battle into a dramatic climax, an extensive fortissimo gong hit signals an end to the hunt. After a brief ensemble and virtuoso marimba cadenza depicting the hunt's afterthoughts, the opening hymn is brought back, this time in E-flat minor, which again restates an emotional response to the hunt. The final coda, while similar in tempo to the hunting music, has no violent tendencies. It is a noble and majestic conclusion with a feeling of hope ending in an exciting flourish in E-flat major. This creates a musical rebirth that allows the listener to leave the piece with a similar feeling of respect and admiration of nature that Taylor possesses. It also leaves the actual result of the hunt open-ended. Did the 'hunter' triumph or did the 'hunted' escape.

译文

亨特. 马林巴功能. 诺亚D.泰勒组成. 对于独奏者. 与乐团. 短笛，长笛1，2长笛，双簧管1. 2，巴松管1. 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F. 大师带系列. 五年级. Wind ensemble score only. 持续时间11. 00. 发布时间由C.艾伦出版物. CN.10933. Originally written for solo marimba and percussion ensemble, Taylor has reworked "The Hunt" as a solo feature with wind ensemble. As the title implies, the work is a programmatic and virtuosic fantasy that expresses how the calm of nature can been overtaken by the thrill of the hunt in a wild chase. The Hunt, composed for marimbist Brenton Dunnington, was originally written for marimba and percussion orchestra in July 2004. It has been reworked here for marimba and wind ensemble. Taylor captures two main themes throughout the free formed, rhapsodizing work. The Fantasy opens with a chorale in B-flat minor played by the solo marimbist and several other members of the ensemble. This chorale expresses Taylor's awe-inspired feelings for nature. As the chorale hymn fades away into the distance, an ominous foreshadowing of the hunt ensues. The second theme is the actual hunt that occurs in the wild. This fast, intense music based around the octatonic scale in many tonalities reflects the danger and carnage that exists, not just among animals, but the elements as well. Throughout this virtuoso section, there are film-like visualizations of the 'hunter' pursuing the unknowing 'hunted. ' After vivid interplay and a final battle into a dramatic climax, an extensive fortissimo gong hit signals an end to the hunt. After a brief ensemble and virtuoso marimba cadenza depicting the hunt's afterthoughts, the opening hymn is brought back, this time in E-flat minor, which again restates an emotional response to the hunt. The final coda, while similar in tempo to the hunting music, has no violent tendencies. It is a noble and majestic conclusion with a feeling of hope ending in an exciting flourish in E-flat major. This creates a musical rebirth that allows the listener to leave the piece with a similar feeling of respect and admiration of nature that Taylor possesses. It also leaves the actual result of the hunt open-ended. Did the 'hunter' triumph or did the 'hunted' escape.