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原文

Ad hoc. Violin Solo sheet music.

译文

特设. 小提琴独奏乐谱.

原文

Ad hoc composed by Carles M. Eroles. For Violin & piano. Score & Parts. 29 pages. Duration 9'. Published by Periferia Music. PF.M-69216-307-7. The material introduced by the piano of the beginning "a solo" is the one that serves of vertebral axis of the work, that has nearly the form of a rondo. This introduction is based on isolated, naked notes, with a constant rythm of the eighths that create a big intervalic space between them. Later on, that will be used as a support to an espressive melody of the violin, that will take this material and will expose it in pizzicato. In this way will be used as accompaniment to a very suggestive and lyric fragment of the piano that covers nearly all the registers of the instrument. This will lead to a second section of the work, of a very rythmic and intense character of both instruments. The third section, the most expressive of the work, it's iniciated with some chords of the piano that little by litlle dissapear and remembers the introduction. Here, the violin develops a melody of big lirism, supported by the piano witht he material of the introduction, but this time there are non isolated notes but full chords that disintegrate again at the end, taking up again the idea of a fragment of the first section of the piece by means of the piano. Far from free instrumental effects, the work looks mainly for a direct communication with the listener.

译文

由普约尔M. Eroles特设组成. 小提琴. 得分. 29页. 持续9'. 出版Periferia音乐. PF.M-69216-307-7. 由开始独奏的钢琴引入的材料是一个服务于工作的椎体轴即,具有回旋曲近的形式. 此次推出的是基于孤立的,赤裸裸的笔记,与他们之间建立一个大intervalic空间八分的节奏不变. 稍后,将用作载体的小提琴的espressive旋律,将采取这种材料,将其暴露在拨弦. 以这种方式将被用作伴奏钢琴的一个非常暗示和抒情片段覆盖仪器的几乎所有的寄存器. 这将导致两个器械的非常rythmic和激烈字符到工作的第二部分,. 第三部分,最具表现力的作品,它的iniciated与钢琴一点litlle dissapear一些和弦并记住引进. 在这里,小提琴开发旋律大lirism的,由钢琴witht引进他的材料支持,但这次也有非孤立的笔记,但全部是和弦的再次瓦解末,占用了再次的一个片段的想法. 远离免费工具的效果,工作看起来主要与听众直接交流.
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