活页乐谱 $15.00

原文

Tune in a Popular London Style. Percy Aldridge Grainger. English Horn sheet music. Grade 4.

译文

调整在伦敦流行风格. 珀西阿尔德里奇格兰杰. 英语角乐谱. 四年级.

原文

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Arranged by B. Kopetz. For concert band. Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,. Band Music. Grade 4. Score only. Duration 3. 15. Published by C. Alan Publications. CN.10891. An air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. Tune in a Popular London Style was 'An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties. The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915. 16 in New York City and in railway trains. Notes derived form 'A Source Guide to the Music of Percy Grainger,' ed. by Thomas P. Lewis. While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras. In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer. As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell. In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known 'Gum-Suckers March'. originally entitled 'Cornstalks March-. Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid 500 for producing it. Notes derived from 'Percy Grainger' by John Bird.

译文

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. 由B. Kopetz安排. 对于乐队演唱会. 小，第1. 乐队音乐. 四年级. 分数只. 时间3. 15. 发布时间由C.艾伦出版物. CN.10891. 与“音乐厅”的味道体现了伦敦交融的欢乐与wistfulness在乔治·格罗史密斯，小，和其他杂耍艺人的表演如此熟悉的空气. 调整在一个受欢迎的伦敦风格是音乐厅“的味道体现了伦敦交融的欢乐与wistfulness在乔治·格罗史密斯，小，和其他杂耍艺人的表演非常熟悉”来写的空气与尝试“. 它由两个品系，像音乐大厅小调独唱和合唱. 的音乐素材，在伦敦组成，建于约1912年，和1915年的冬季期间制定并拿下. 在纽约市，并在铁路列车16. 派生形式注释“资料来源指南珀西格兰杰的音乐，”编. by Thomas P. Lewis. 而居住在伦敦于1915年，格兰杰和他的母亲做了一个快速决定离开伦敦. 伟大的战争才刚刚开始，和罗斯格兰杰担心她儿子的职业前景，如果他们留在伦敦. 他们登上了Cunrad船拉科尼亚在利物浦，并达成波士顿1915年9月8日. 格兰杰合并为纽约市的音乐生活，并开始表演了钢琴，为他赢得了广泛的声誉. 十六音乐会，为纽约预订与著名的乐团，以及众多的独奏会. 其他演出原定在费城，明尼阿波利斯，波士顿和芝加哥交响乐团. 在美国的第一个赛季，格兰杰的作品收到大约一百表演，虽然格兰杰只邀请进行，但一旦. 虽然他接受了作为钢琴家的成功是不同于他在欧洲接受什么，他看到他的成功作为一个表演者在否认他有任何的好评作为一项严肃的作曲家的危险. 由于他的职业生涯开始蓬勃发展，需要增加旅游成为必然. 每当格兰杰旅行，他坐火车. 他热爱铁路，因为他们给了他的空间来传播他的手稿出来，组成. 他总是走遍第二类，而很少花了卧铺，宁愿坐着睡觉了. 他偶尔会提早出发的火车一个站，并给予票价的差异，当地的慈善机构. 这部分是在火车上的这些旅行的格兰杰拿下了在一个果壳. 在1916年六月，格兰杰被邀请参加在诺福克，音乐康涅狄格节. 这是为了这次演出，他拿下并放在一起的，他有权在一个果壳的管弦乐组曲. 一些草图的一块回到1905年，和该套件最终被刊登在四个乐章的最后一个乐章是著名的“口香糖 - 吸盘进行曲”. 最初题为“玉米秆日至. 尽管该套件的欢乐的情绪，这是严重的意图，并包含一些格兰杰最具特色的得分. 第一次演出是由亚瑟·米斯博士和格兰杰进行支付500其制造. 由约翰·伯德来源于“珀西固安捷的注意事项.