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原文

Extreme Make-Over. Johan De Meij.

译文

极端化妆了. 约翰·德Meij.

原文

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Composed by Johan De Meij. For Brass Band. Score. Amstel Music. Grade 4-5. 90 pages. Amstel Music #AM78. Published by Amstel Music. HL.4000196. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No.1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

译文

极端化妆了. Metamorphoses on a Theme by Tchaikovsky for Brass Band. 由约翰·德Meij组成. 对于铜管乐队. 得分. 阿姆斯特尔音乐. 4-5级. 90页. Amstel Music #AM78. Published by Amstel Music. HL.4000196. 由约翰·德Meij这部新作是由来自柴可夫斯基的著名如歌的行板主题的一组变态的. from String Quartet No.1 in D. 柴科夫斯基说：“我从来没有这么骄傲的我创作的权力，当托尔斯泰坐在旁边的椅子矿山听我的行板，眼泪顺着他的脸颊. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. 下面的运动功能调节瓶的播放，通向一个广泛的木琴独奏. 这种无缝连接来压轴，一法服处理的主题，导致了节日的结论.