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原文

Canticle of the Sun. David Evan Thomas. High Voice sheet music. Voice Solo sheet music. Organ Accompaniment sheet music. Advanced.

译文

太阳颂歌. 大卫·埃文·托马斯. 高语音乐谱. 独唱乐谱. 风琴伴奏乐谱. 先进.

原文

Canticle of the Sun composed by David Evan Thomas. For high voice solo, organ. Difficult. Published by MorningStar Music Publishers. MN.12-106. Canticle of the Sun, a setting of the poem by Saint Francis of Assisi, was commissioned by the Twin Cities. MN. A.G.O. and first performed by soprano Elizabeth Pauly and organist James Biery in 2000. The parallel verses of Saint Francis's poem inspired from Thomas a series of variations on what could be called a Theme of Praise, a declamatory melodic idea which emphasizes fourths and fifths. After the initial presentation of the theme. "All praise to you, my Lord". , the speaker moves from extolling sun and moon to praising each of the four elements of the medieval world. wind, water, earth, fire. taking in all of creation. Because the text is concise-only a few key images per variation-it remains for the organ to develop the material through figuration, texture and registration, as well as to provide links between sections, each of which explores a different tonality. A special place is reserved for the human art of forgiveness. The vocal line here descends into its lowest register, accompanied by the simplest organ texture, before rising up again in fountains of praise.

译文

Canticle of the Sun composed by David Evan Thomas. 对于高语音独奏，电子琴. 难. 发布时间由晨星音乐出版. MN.12-106. Canticle of the Sun, a setting of the poem by Saint Francis of Assisi, was commissioned by the Twin Cities. MN. A.G.O. and first performed by soprano Elizabeth Pauly and organist James Biery in 2000. The parallel verses of Saint Francis's poem inspired from Thomas a series of variations on what could be called a Theme of Praise, a declamatory melodic idea which emphasizes fourths and fifths. After the initial presentation of the theme. "All praise to you, my Lord". , the speaker moves from extolling sun and moon to praising each of the four elements of the medieval world. wind, water, earth, fire. taking in all of creation. Because the text is concise-only a few key images per variation-it remains for the organ to develop the material through figuration, texture and registration, as well as to provide links between sections, each of which explores a different tonality. A special place is reserved for the human art of forgiveness. The vocal line here descends into its lowest register, accompanied by the simplest organ texture, before rising up again in fountains of praise.