活页乐谱 $32.00

原文

Dissolve. Dan Adams. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Advanced.

译文

解散. 丹·亚当斯. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 先进.

原文

Dissolve composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4-octave marimba, cowbell. , Percussion 2. 4-octave marimba, claves. , Percussion 3. 4-octave marimba, woodblock. , Percussion 4. 4.3-octave marimba, bass drum. , Percussion 5. 3-octave vibraphone, 3 suspended cymbals. , Percussion 6. temple bloc. Medium difficult. Score and parts. Duration 6. 00. Published by C. Alan Publications. CN.05920. Inspired by cinemagraphic techniques in which one image is gradually transformed into another, this work allows resonant sounds to dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. The title of "Dissolve" refers both to the literal definition of the term, a separation of an entity into its constituent parts, and to a cinemagraphic technique in which one image is gradually transformed into another. Resonant sounds dissolve according to their natural acoustical decay. Sustained sounds dissolve into percussive passages and definitely pitched sonorities dissolve into the sounds of indefinitely pitched instruments. Homophonic and polyphonic textures dissolve into one another. "Dissolve" is composed in a three section form that resembles ternary or rounded binary but is neither, as the three sections are distinguished mostly by timbre, texture, and the relationship between definite and indefinite pitch. The first section consists of mostly long sustained notes. The second, third, and fourth marimbas begin the piece entering one by one with rolls on the 12 notes of the chromatic scale spread throughout the marimba's register. The marimbas are accompanied by resonant sounds played on the indefinitely pitched metal instruments. The first marimba articulates the same notes that are played as rolls by the other three marimbas, facilitating the transition to middle section. Two alternating chords played on the vibraphone complete the transition to the more rhythmically active middle section, which is dominated by indefinitely pitched wood, metal, and membrane instruments. This section is characterized by a faster tempo and more complex rhythmic counterpoint. Indefinitely-pitched counterpoint between the tom-toms and temple blocks are juxtaposed against a collage of repeated notes on the cowbell, claves, and bass drum Playing a six note motive, the vibraphone part again signals a transition, this time to the final section. It is based on polyrhythmic counterpoint between the vibraphone, crotales, and bells with the marimba rolls from the opening section serving as a backdrop.

译文

Dissolve composed by Dan Adams. 打击乐合奏. 对于打击乐团. 打击乐1. 4倍频木琴，牛铃. ，打击乐2. 4倍频马林巴，恒山. ，打击乐3. 4倍频木琴，木版. ，打击乐4. 4.3倍频马林巴，大鼓. ，打击乐5. 3倍频电颤琴，3暂停钹. ，打击乐6. temple bloc. 中等难度. 得分和零件. 持续6. 00. 发布时间由C.艾伦出版物. CN.05920. 在其中一幅图像逐渐转变成另一种cinemagraphic技术的启发，这项工作允许用户根据自己的自然声学衰减共振的声音解散. 持续的声音溶入冲击通道和肯定投sonorities溶入声音无限期投仪器. 的“溶解”的称号既指术语，实体成其组成部分的一个分离的字面定义，并以一个cinemagraphic技术，其中一个图像被逐渐转化成另一种. 共振的声音，根据他们的自然声学衰减溶解. 持续的声音溶入冲击通道和肯定投sonorities溶入声音无限期投仪器. 谐音与和弦纹理溶入另一个. “溶解”是由在类似于三元或圆形的二进制，但既不是一个三段的形式，为三段大多是音色，质地区分，并明确和不确定的间距之间的关系. 第一部分包括大部分长期持续的音符. 第二，第三和第四木琴开始输入1的片接一个与辊上的12个音符半音音阶蔓延整个马林巴的寄存器. 该木琴是伴随着上播放的无限期投金属器械共振的声音. 第一马林巴阐明了其他三个木琴都打出了卷相同的音符，有利于过渡到中段. 两个交替和弦起到对电颤琴完成过渡到更节奏活性中间部分，它是由投无限期木材，金属，和膜仪器为主. 此部分的特征在于一个更快的速度和更复杂的节奏对位. 在手鼓和寺庙块之间无限期音调对位并列反对重复票据上的牛铃，恒山的拼贴，和低音鼓演奏六个音符动机，电颤琴再次部分信号的转换，这个时候最后一节. 它是基于电颤琴，铙钹之间多重节奏对位，和钟声与从开口部的马林巴辊作为背景.