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原文

Der Nachmittag eines Fauns for Orchestra. Claude Debussy.

译文

牧神管弦乐下午. 克劳德·德彪西.

原文

Der Nachmittag eines Fauns for Orchestra composed by Claude Debussy. 1862-1918. Edited by Douglas Woodfull-Harris. For orchestra. This edition. Folded, Urtext edition. Folded. Set of wind parts. 3 pages. Duration 10 minutes. Published by Baerenreiter Verlag. BA.BA8841-65. ISBN 9790006540587. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the "modern" era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. Scholarly critical edition with many corrections in the score and orchestral parts. Clear presentation of orchestral parts in an enlarged format.

译文

牧神的乐团由克劳德·德彪西组成的午后. 1862-1918. 由道格拉斯Woodfull哈里斯编辑. 对于乐团. 此版本. 折叠，Urtext版. 折叠. 集风零件. 3页. 时间10分钟. 出版Baerenreiter出版社. BA.BA8841-65. ISBN 9790006540587. 32.5 X25.5厘米英寸. 前奏A L'APRES-MIDI D'UN faune，通常被称为“现代”时代的第一个成分，是德彪西的最普及和经常进行的管弦乐作品之一. 这件作品归结为我们的源阵列，并在几个重要的绘制首次在Baerenreiter的新的学术临界版. 大部分目前可用的版本是基于从1895年第一版，然而，包含了许多雕刻错误. 当相应的管弦乐部分也考虑在内，无数的差异，揭示. Baerenreiter的Urtext版采用的得分的打印副本的读数从C. 1908这说明更正和的emendations由作曲家. 这些重要的变化，在没有其他来源找到，包括节拍器标记，不同的音高和额外的注释，以及添加的节奏和衔接标记，这些都巧妙地提升德彪西的精细雕刻工作. 甚至还有加入到打开的工作著名的长笛独奏通道呼吸记号. 与许多修正的得分和管弦乐的部分学术批判版. 管弦乐部分以放大的格式呈现清晰.