活页乐谱 $25.00

原文

Abiquiu. B-Flat Trumpet sheet music. Grade 5.

译文

阿比基. 降B大调小号乐谱. 五年级.

原文

Abiquiu composed by David R. Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Contralto Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2,. Grade 5. Score only. Duration 9. 00. Published by C. Alan Publications. CN.16831. A glorious programatic work that challenges performer and listener alike. With the support of a full percussion section, you will travel from the driving rhythms of the city, to the swell of the desert canyon, to the open skies. Hold on for the ride. Abiquiu was inspired by a provocative poem by the same name written by Mesa State College Professor and Colorado poet, L. Luis Lopez. Take this city-filled soul, pour it out, place it in soil beneath your high desert vista. Fill it with canyon, sky, mesa, mountain, smell of rain and song of bird. Tint each with time of day. let each settle into a painting of sand. so that when I-m away I can close my eyes and gaze upon and breathe your sacred strands. The ideas set forth by each short stanza of the poem are set somewhat programmatically to music. At the onset of the piece the music suggests the 'city-filled soul' with disjunct themes, driving rhythms and harmonic confusion. Envisioning one's self amidst the rush hour of a big city and the ensuing mental frustration. The section features 'calls for help' in the horns and trumpets using large intervals, mostly of 7ths and octaves. One last 'call' culminates the section as the 'city-filled soul' is finally poured out in the soil beneath the 'desert vista. ' The pulse of the city can still be heard with the constant heartbeat of the timpani and remnants of the 'call' motive in the horns. The music dramatically swells and segues with the next section beginning with a backdrop of keyboard percussion, piano and a fluttering of flutes. Arising from the texture is a theme in Db major, beginning in the horns, evoking the spaciousness of the canyon and the vastness of the open air and sky as so eloquently written in the second stanza of the poem. The theme grows in volume and texture and eventually the entire ensemble is singing the beauty of this picturesque scene and the music modulates to F major and finally to D major and then subsides. A mysterious ostinato in the piano, bells and vibraphone provides backdrop for short phrases of a chorale melody played by the clarinets as if in the distance signifying how each element settles 'into a painting of sand. ' Soon, however, the busyness and frustration of the 'city-filled soul' begin to infiltrate the section until it all returns with all of the fury heard in the beginning of the piece. -so that when I-m away-. But soon, as if closing one's eyes to the madness, the beauty of the canyon, sky, mesa, mountain, smell of rain and song of bird burst forth out of the texture and the majesty of the spacious 'canyon' theme returns. -I can close my eyes and gaze upon and breathe your sacred strands. The music 'climbs' to the top of the mountain and ends joyously in Eb major. The texture then thins leaving only the piano, bells and vibraphone and decays into a single Bb on the vibraphone, much like the pure voice of a child. Under this sustained voice, the clarinets quote the opening notes of the 'canyon' theme, followed by the distant, 'sacred strands' of the chorale in the piano and bells. The sequence repeats and the piece ends quietly with the warm sound of the marimba, bells and vibraphone. With the generous support of Stephen Boelter and Karen Combs, Abiquiu was commissioned by the Mesa State College Wind Symphony, for the 2009 Best of the West Music Festival. During the compositional process, Calvin Hofer, conductor, was informed that Stephen developed a recurrence of melanoma, which was terminal. This was devastating news to the Best of the West family. Through my correspondence with Calvin, I discovered how important Best of the West was to Stephen. His vision was simple. to help provide a rich musical experience for all involved - performer, audience, or music educator. Stephen's wife, Karen, continues their visionary work with her financial support of Best of the West. To honor Stephen Boelter, Calvin requested that, if possible, I include a small quote in the piece from Stephen's Alma Mater, the University of Wisconsin-Whitewater. Two phrases from the University of Wisconsin-Whitewater Alma Mater. adapted from Beethoven, Op. 81b. can be found in the clarinets in measures 93-101 and in measures 153-159 in the piano and orchestra bells. Stephen played clarinet in the Mesa State Wind Symphony.

译文

阿比基组成由David R.吉林汉姆. 由Geoffrey品牌排列. 对于乐队演唱会. 短笛，长笛1，2长笛，双簧管1，2双簧管，巴松管1. 2，降B调单簧管1，降B调单簧管2，降B调单簧管3，BB低音单簧管，女低音的Eb单簧管，的Eb中音萨克斯1的Eb中音萨克斯2，BB次中音萨克斯风，的Eb低音萨克斯，BB小号1，BB小号2，. 五年级. 分数只. 持续9. 00. 发布时间由C.艾伦出版物. CN.16831. 光荣程序化的工作，挑战表演者和听众的一致好评. 随着一个完整的打击乐节的支持，你会从城市的驾驶节奏游，沙漠峡谷的膨胀，到开放天空. 再坚持骑. 阿比基的灵感来自于一个挑衅性的诗写的梅萨州立学院教授和科罗拉多州的诗人，L·路易斯·洛佩斯同名. 就拿这个城市充满灵魂，倒出来，把它放在你的土壤荒漠高下方远景. 它有峡谷，天空，台面，山，雨香，鸟儿的歌声填写. 与一天中的时间每个着色. 让每一个融入沙画. 所以，当林远，我可以闭上双眼，凝视，呼吸你的神圣股. 提出了诗的每一节短想法都设置有点编程音乐. 在一块的发病音乐暗示'城市充满灵魂与间断主题，驾驶节奏和谐波混乱. 设想一个人的自我之中的下班高峰期大城市和随之而来的心理受挫. 该部分功能主要使用的7ths和八度大的间隔，在牛角“求助电话”和喇叭. 最后一个“来电”的高潮部分为“城市充满灵魂”终于倒在土壤中的“沙漠Vista的下. “城市的脉搏仍然可以听到与定音鼓和残余的不断心跳”呼叫“动机的角. 音乐极大地膨胀和塞格斯开头的键盘敲击，钢琴的背景下，长笛的飘飘下一节. 从质地所产生的以dB重大主题，开始在牛角，唤起峡谷的宽敞和露天的浩瀚和天空如此雄辩地写在诗的第二节. 在体积和质感的主题增长，并最终对整个乐团的演唱这如诗如画的场景的美感和音乐调节，以F大调，最终以D大调，然后消退. 一个神秘的固定音型钢琴，钟声和电颤琴为背景的单簧管起了诗歌旋律短语仿佛在远处，标志着每个元素落户“到沙画. “很快，但是，忙碌和挫折'城市充满灵魂开始与所有听到的一块开始愤怒的渗透部分，直到所有退货. - 因此，当我-M away-. 但很快，就好像收一个人的眼睛的疯狂，峡谷之美，天空，台面，山，雨水和鸟类的歌声味道迸发出的质感和宽敞的'峡谷'的主题回​​报的威严. -I可以闭上双眼，凝视，呼吸你的神圣股. 音乐“爬”到山顶，并在主要的Eb欢悦结束. 纹理然后变薄只剩钢琴，钟声和电颤琴和衰变到一个单一的降B上的电颤琴，就像一个孩子的语音纯正. 在这种持续的声音，单簧管引述的“峡谷”的主题开场音符，其次是遥远的，对诗歌的钢琴和铃铛“神圣股”. 序列重复和一块用木琴，钟声和电颤琴的温暖的声音悄然结束. 与慷慨支持斯蒂芬贝尔特和格伦·库姆斯的，阿比基委托梅萨州立学院风交响乐团，为2009年最佳西方音乐节. 在作曲过程中，卡尔文霍费尔，导体，得知斯蒂芬开发的复发黑色素瘤，这是终端. 这是令人沮丧的消息，以最佳西方家庭. 通过我的书信与卡尔文，我发现西方重要的是如何最好是斯蒂芬. 他的设想很简单. 以帮助为所有参与丰富的音乐体验 - 表演者，观众，还是音乐教育家. 斯蒂芬的妻子凯伦，继续他们的工作，有远见与最佳西方的她的财政支持. 为了纪念史蒂芬·贝尔特，卡尔文要求，如果可能的话，我有一个小的报价在一块斯蒂芬的母校，威斯康星白水大学. 来自威斯康星白水母校的大学两个短语. 改编自贝多芬，作品。 81B. 可以在93-101措施的单簧管和钢琴与乐队的钟声措施153-159被发现. 斯蒂芬在梅萨国家风交响乐团演奏单簧管.