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原文

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. Wolfgang Amadeus Mozart. Piano sheet music.

译文

幻想曲G小调和风雅在G大调，奏鸣曲运动. 严重和普雷斯托. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. 莫扎特. 钢琴乐谱.

原文

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Michael Topel. Arranged by Michael Topel. For 2 pianos. This edition. 2nd printing 2011 edition. Stapled. Performance score. Language. German. English. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33 pages. Published by Baerenreiter Verlag. BA.BA9638. ISBN 9790006539611. With Language. German. English. 31 x 24.3 cm inches. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.

译文

幻想曲G小调和风雅在G大调，奏鸣曲运动. 严重和普雷斯托. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756-1791. 由迈克尔·托佩尔编辑. 由迈克尔·托佩尔安排. 对于2钢琴. 此版本. 第2次印刷2011年版. 装订. 性能得分. 语. 德语. 英语. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33页. 出版Baerenreiter出版社. BA.BA9638. ISBN 9790006539611. 随着语言. 德语. 英语. 31 X24.3厘米英寸. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.