活页乐谱 $29.95

原文

Sacra et litaniae - pars V. Missa V. Voice sheet music. Choir sheet music. Trombone sheet music. Organ Accompaniment sheet music.

译文

萨克拉和Litaniae - 收杆V. 弥撒V. 声音的乐谱. 合唱乐谱. 长号乐谱. 风琴伴奏乐谱.

原文

Sacra et litaniae - pars V. Missa V composed by Adam Otradovic Michna. Edited by Vratislav Belsky, Jiri Sehnal. For singing voice, mixed choir, orchestra. Solo Bass. Mixed Choir. SATB. Trombone. Organ. Strings. This edition. Complete edition. Adam Vaclav Michna. Compositiones 10. Czech title. Sacra et litaniae - pars V. Missa V. Classical, Sacred. Complete edition, Score. Language. Latin, Text Language. Czech. German. English. Published by Editio Baerenreiter Praha. PA.H7995. ISBN 9790260103900. With Language. Latin, Text Language. Czech. German. English. Classical, Sacred. 31 x 23.5 cm inches. The largest Czech collection of Latin liturgical music Sacra et litaniae was first published in a Jesuit printing house at the Prague Clementinum in 1654. The work contains five Masses, a Requiem, a Te Deum, and two litanies. Like the other parts, Michna's Mass V is published for the first time in a new critical edition by professor V. Belsky. notation. and Dr. Jiri Sehnal. text, edition supervisor. The approach Michna chose in setting the fifth Mass in Sacra et litaniae is well known from his earlier collection, Officium vespertinum. Here, as there, the composer treats all parts of the Mass invariably as dialogue between a concertante solo bass, and a largely passive, homophonic quartet. The melodic of the bass part is notable for the fanfare melody of a broken D-major chord. This, plus the two sharps placed by the composer in the key signature, may tempt one to take the key of this Mass to be an unambiguous D major. Attentive listening, though, will reveal this is not so. With some reserve, one may approximate, that the fifth Mass is written in the seventh ecclesiastical mode. Composers in Michna's time liked to group compositions in their collections by the dozen, or half-dozen. Rather unusually then, not counting the Requiem, Michna's Sacra et litaniae consists of five Masses. The title of the second of them, relating to the Christmas season, and the number five of this Mass may attempt us to try and match the individual Masses in the collection with the corresponding seasons of the ecclesiastical year. Allowing for a degree of imagination, it might then be hypothesized that the fifth Mass would have been destined for Whitsuntide.

译文

萨克拉和Litaniae - 收杆V. Missa V composed by Adam Otradovic Michna. Edited by Vratislav Belsky, Jiri Sehnal. 对于唱歌的声音，混合合唱团，管弦乐团. 低音独奏. 混声合唱. SATB. 长号. 器官. 串. 此版本. 完整版. 亚当瓦茨拉夫Michna. Compositiones 10. 捷克冠军. 萨克拉和Litaniae - 收杆V. Missa V. Classical, Sacred. 完整版，得分. 语. 拉丁，文本语言. 捷克语. 德语. 英语. 出版Editio Baerenreiter布拉格. PA.H7995. ISBN 9790260103900. 随着语言. 拉丁，文本语言. 捷克语. 德语. 英语. 古典，神圣. 31 x 23.5公分英寸. The largest Czech collection of Latin liturgical music Sacra et litaniae was first published in a Jesuit printing house at the Prague Clementinum in 1654. The work contains five Masses, a Requiem, a Te Deum, and two litanies. Like the other parts, Michna's Mass V is published for the first time in a new critical edition by professor V. Belsky. 符号. and Dr. Jiri Sehnal. 文字，监事版. The approach Michna chose in setting the fifth Mass in Sacra et litaniae is well known from his earlier collection, Officium vespertinum. Here, as there, the composer treats all parts of the Mass invariably as dialogue between a concertante solo bass, and a largely passive, homophonic quartet. The melodic of the bass part is notable for the fanfare melody of a broken D-major chord. This, plus the two sharps placed by the composer in the key signature, may tempt one to take the key of this Mass to be an unambiguous D major. Attentive listening, though, will reveal this is not so. With some reserve, one may approximate, that the fifth Mass is written in the seventh ecclesiastical mode. Composers in Michna's time liked to group compositions in their collections by the dozen, or half-dozen. Rather unusually then, not counting the Requiem, Michna's Sacra et litaniae consists of five Masses. The title of the second of them, relating to the Christmas season, and the number five of this Mass may attempt us to try and match the individual Masses in the collection with the corresponding seasons of the ecclesiastical year. Allowing for a degree of imagination, it might then be hypothesized that the fifth Mass would have been destined for Whitsuntide.