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原文

John Tavener. Popule Meus - a Meditation. Solo Part. Sheet Music. Cello. VLC. John Tavener.

译文

约翰Tavener. Popule Meus - 冥想. 第一部分. 乐谱. 大提琴. VLC. 约翰Tavener.

原文

For solo Cello, Timpani, and Strings. Popule Meus was commissioned through the Magnum Opus project. Kathryn Gould, founding patron and commissioner, and Meet the Composer, project manager. It was first performed on 6th February 2010, by Yuri Hooker. cello. and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes. "Popule Meus is a meditation on the Judaic and Christian text “O my People, what have I done to you. ”, but it. is also a Universalist contemplation of the wholesale rejection of God by modern man. However much man. rejects God, he cannot escape Him, and indeed he is condemned to the supernatural by his deiform nature. In.. Hindu terms he is the Absolute – Ayam Atma Brahma. The Self is the Absolute. In this work the solo cello is the All-Compassionate One, while the timpani represent man in his vain and. pointless rejection. Although the solo cello and strings, and the timpani, share the same material. four ideas are. gradually revealed, and they revolve four times during the piece. , the timpani music is violent and becomes. increasingly frenzied and contracted, while the cello and strings remain still and serene. So even in winning, the Darkness loses, and even in losing the Light wins. Passion, Resurrection and. Redemption. or in Hindu terms Atma. The Absolute. alone is real, Maya. The Relative. is merely illusion.

译文

独奏大提琴，定音鼓和字符串. Popule Meus是通过巨著项目投产. 凯瑟琳·古尔德，创始赞助人及委员，并满足作曲家，项目经理. 这是第一次进行的2010年2月6日，由尤里·胡克. 大提琴. 和温尼伯交响乐团亚历山大Micklethwate进行. 作曲家的注意事项. “Popule Meus是对犹太教和基督教文字冥想”啊，我的人，我做了什么你. ”, but it. is also a Universalist contemplation of the wholesale rejection of God by modern man. However much man. rejects God, he cannot escape Him, and indeed he is condemned to the supernatural by his deiform nature. 在。. Hindu terms he is the Absolute – Ayam Atma Brahma. 自我是绝对. In this work the solo cello is the All-Compassionate One, while the timpani represent man in his vain and. pointless rejection. 虽然独奏大提琴和串，和定音鼓，共享相同的材料. four ideas are. gradually revealed, and they revolve four times during the piece. , the timpani music is violent and becomes. increasingly frenzied and contracted, while the cello and strings remain still and serene. 因此，即使在获胜，黑暗失去，甚至失去了光胜. Passion, Resurrection and. 赎回. 还是在印度方面阿塔玛. 绝对. 孤独是真实的，玛雅人. 相对. 只是幻觉.