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原文

Franz Schubert. Lieder - Volume 5. Medium Voice. Sheet Music. Medium Voice. Piano Accompaniment. MED VCE. PFA. Franz Schubert.

译文

舒伯特. 歌曲 - 第5卷. 中等语音. 乐谱. 中等语音. 钢琴伴奏. MED VCE. PFA. 舒伯特.

原文

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print. in his own choice and order. and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first – "Hagars Klage". D 5. , dated 30 March 1811 – is also his first complete surviving song. The first eleven lieder are evidence of his early studies. 1811–1813. 14. During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song. "Klaglied", D 23. , which – the only one of these songs – was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade "Der Taucher". D 77. which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera. "Des Teufels Lustschloss", D 84. was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the "New Schubert Edition". - Foreword by Walther Dürr discussing the history the works’ composition. and transmission, together with a list of sources for each song. Ger. Eng. - English translation of the song texts by Richard Wigmore. Contents. Hagars Klage, D 5. Leichenfantasie, D 7. Der Vatermörder, D 10. Klaglied, op. post. 131, 3 – D 23. Misero pargoletto, D 42. high voice only. Totengräberlied, D 44. Die Schatten, D 50. Verklärung, D 59. Pensa che questo istante, D 76. medium and low voice only. Der Taucher, D 77. Son fra l’onde, D 78. high voice only. Adelaide, D 95. Trost. An Elisa, D 97. Erinnerungen, D 98. Andenken, D 99. Geisternähe, D 100. Erinnerung, D 101. Die Betende, D 102. Die Befreier Europas in Paris, D 104. Lied aus der Ferne, D 107. 1st version. Lied aus der Ferne, D 107. 2nd version. Der Abend, D 108. Lied der Liebe, D 109. Romanze, D 114. 1st version. Romanze, D 114. 2nd version. An Laura. als sie Klopstocks Auferstehungslied sang. , D 115. Der Geistertanz, D 116. Appendix. lower transpositions of the songs only in high ranges. Die Schatten, D 50. Adelaide, D 95. Barenreiter code. BA9125.

译文

作为延续了舒伯特艺术歌曲的新Urtext版，瓦尔特杜尔已编辑成册五个高，中，低的声音. 卷1至4这个版本的主要含有哪些舒伯特自己看到成印刷艺术歌曲. 在他自己的选择和秩序. 而从近两年他的生活的第四卷的作品包括. 数量5起，在德语的专题目录的顺序严格呈现的艺术歌曲，这意味着在原则上他们是按时间顺序排列. 在五卷的艺术歌曲，在1811年组成了1814年至. 第一 - “Hagars Klage”. ð5. ，日期1811年3月30日 - 也是他的第一个完整的生存歌曲. 第11艺术歌曲是他早期的研究证据. 1811年至1813年. 14. 在此期间，舒伯特沉浸在自己的约翰·鲁道夫Zumsteeg的民谣和艺术歌曲，并在他的作文课，与安东尼奥·萨列里写道：意大利咏叹调. 他也由一个单一的strophic歌曲. “Klaglied”，D 23. ，其中 - 这些歌曲的只有一个 - 就是他去世后不久，发表在1830年11月作为运. 131，3. 他的徒弟的工作，因为它是，是主要的叙事曲“明镜Taucher”. ð77. 这是1813和1815大致开始之间组成. 恐怕不是偶然的，他的第一个完整的歌剧. “魔鬼的游乐宫”，D 84. 被写在同一时间. 他还成立14诗弗里德里希·冯·Matthisson探索的原则的strophic撒谎. - 优秀的新的雕刻基础上，“新舒伯特版”. - 前言瓦尔特杜尔讨论历史上的作品的组成. 和传输，具有来源为每首歌曲的列表一起. 德国. 密切. - 歌曲文本由理查德·威格莫尔英语翻译. 内容. Hagars Klage，D 5. Leichenfantasie，D 7. 在弑父，D 10. Klaglied，运. 职位. 131，3 - D 23. 可怜的小宝贝，D 42. 只有高声音. Totengräberlied，D 44. 阴影D 50. 变身，D 59. 你认为这个瞬间，D 76. 中，低的声音只. 潜水员，D 77. 他FRA波，D 78. 只有高声音. 阿德莱德，D 95. 安慰. 在ELISA，D 97. 回忆，D 98. 纪念品，D 99. Geisternähe，D 100. 内存，D 101. 死Betende，D 102. 死Befreier Europas在巴黎，D 104. 从远处歌曲，D 107. 第1版. 从远处歌曲，D 107. 第2版. 晚上，D 108. 爱情，D 109之歌. 浪漫曲，D 114. 第1版. 浪漫曲，D 114. 第2版. 在劳拉. 当她唱起Klopstock的复活歌. ，D 115. 鬼跳，D 116. 附录. 歌曲只在高山峻岭较低换位. 阴影D 50. 阿德莱德，D 95. Barenreiter代码. BA9125.