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原文

Palestrina. Assumpta Est Maria - Motet. Davison. SSATTB. Sheet Music. Choral. CHOR. Giovanni Palestrina.

译文

帕莱斯特里纳. Assumpta EST玛利亚 - 经文歌. 戴维森. SSATTB. 乐谱. 合唱的. CHOIR. 乔瓦尼·帕莱斯特里纳.

原文

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. In 1545, the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural words was one of the issues at stake, especially as the polyphonic style, of which Palestrina was a master, overlaid many Vocal lines, creating complex textures. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.

译文

帕莱斯特里是文艺复兴晚期的教堂音乐的和弦组成继续积极在合唱曲目进行的高耸的人物之一. 他创作了超过250经文歌. This one, Assumpta Est Maria for the Feast of the Assumption, is of particular interest. 在1545年，遄达理事会提出改革的罗马天主教会的各种做法，在防御新的新教运动的威胁. 圣经的文字清晰是一个利害攸关的问题，特别是作为和弦风格，其中帕莱斯特里是一个高手，覆盖众多声乐系，创建复杂的纹理. It is debated whether this motet, with a newfound clarity of language, was written in response to the Council of Trent, or if it predated the Counterreformation and sprung with its innovations entirely from Palestrina’s own fertile creativity. This edition was prepared from the Vatican choirbook contemporary with the composer’s life. It is scored for Cantus I and II, Alto, Tenor I and II and Bass with rehearsal Piano accompaniment.