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原文

Kevin Volans. String Quartet No.9 - Shiva Dances. Parts. Sheet Music. String Quartet. STR QUARTET. Kevin Volans.

译文

凯文飞鱼座. 弦乐四重奏第9号 - 湿婆舞. 配件. 乐谱. 弦乐四重奏. STR QUARTET. 凯文飞鱼座.

原文

Kevin Volans' String Quartet No. 9. Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival. Kevin Volans. the composer. notes on the piece. In the past I have been interested in trying to go beyond historicism. 1970s. , beyond style. 1980s. and beyond form. 1990s. in my work. Looking back over the music of the twentieth. century I was struck by the fact the nearly all of it is extremely 'busy', almost cluttered. It.. almost seemed that composers felt compelled to look industrious. In the new millennium I.. thought it would be interesting to try and eliminate content. I also aspired to moving from. music. sound as art. to art. art as sound. This, of course, has already been done by a number. of composers. many from New York – Phil Niblock and La Monte Young, to name but two. , but. it was something I had never tried. Although I found it annoying that the label 'minimalist' was given to my African-based work,. and fearing this would make the label stick, I set out to write a piece which reflected my love. of minimal painting and architecture. The Japanese have a term 'wabi' meaning 'voluntary. poverty' or 'emptiness' to describe their restrained minimal aesthetic, an aesthetic which,. however, pays greatest attention to the quality of material and fine detail. I like to think that. the lack of excessive pitch material in this piece reflects a kind of voluntary poverty. When Shiva is portrayed dancing. as Nataraj. He is depicted in a circle of flames crushing a. small figure – the ego – underfoot. You get the impression He dances on the spot, not moving. around at all. I like that. The piece is dedicated to Pablo Pascual Cilleruelo.

译文

凯文·飞鱼星“弦乐四重奏第9号. 湿婆舞蹈委托BBC电台3和第一个由四方史密斯在2004年哈德斯菲尔德现代音乐节进行. 凯文飞鱼座. 作曲家. 指出在片. 在过去，我一直想尝试超越历史主义. 20世纪70年代. ，超越风格. 20世纪80年代. 超越形式. 20世纪90年代. 在我的工作. 回首二十音乐. 世纪我感到震惊的是它的几乎都是非常'忙'，几乎凌乱. 它。. 几乎似乎作曲家感到有必要看看勤劳. 在新千年I.. 认为这将是有趣的尝试和消除内容. 我也渴望移动. 音乐. 声音艺术. 艺术. 艺声. 此，当然，已经完成由多个. 作曲家. 许多来自纽约的菲尔 - 尼布洛克和拉蒙特·扬，是名副其实2. 但. 这是我从来没有尝试过. 虽然我发现它讨厌的标签“极简主义”是给我的非洲为基础的工作，. 并担心这会使标签贴，我开始写这反映了我的爱情片. 最小的绘画和建筑. 日本有个词语叫“侘”的意思是“自愿. 贫困“或”空“来形容他们的内敛最小的审美，审美其中，. 然而，最大的支付注重材料和细节的质量. 我想，. 缺乏在这片球场过多材料体现出一种自愿贫困. 当湿婆被描绘跳舞. 作为Nataraj. 他在火焰压碎的圆圈描绘. 小的数字 - 自我 - 在脚下. 你得到的印象，他的舞蹈在现场，不动. 各地各. 我喜欢. 这件作品是专门为巴勃罗帕斯夸尔Cilleruelo.