活页乐谱 $39.39

原文

Benjamin Britten. Double Concerto. Score and Parts. Sheet Music. Violin, Viola, Piano. VLN. VLA. PF. Benjamin Britten.

译文

本杰明·布里顿. 双协奏曲. 得分和零件. 乐谱. 小提琴，中提琴，钢琴. VLN. VLA. PF. 本杰明·布里顿.

原文

For Violin, Viola and Piano. Reduced from the orchestra version. Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written. in less than three weeks. very soon after Britten had completed the first draft of the Double Concerto. but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale. and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind. he was, of course, a Viola player, although he is not likely to have intended the part for himself. He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it. but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932. 'I have never heard such an appalling row. ' reads another diary entry. discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto. Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto'. is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan. The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews.

译文

For Violin, Viola and Piano. Reduced from the orchestra version. 布里顿是如此显着多产作为一个年轻的作曲家，很多从他十几岁的作品被搁置，以等待修改或完成他赶到下一个片. 这一点尤其在他的作品1小交响乐团的时间的情况下，在1932年的夏天，他的第二年作为一名学生在皇家音乐学院组成. 该小交响乐团写. 在不到三周. 之后很快布里顿完成了双重协奏曲的第一稿. 但在完成小交响乐团后，他又回到了修改协奏曲的第二乐章. 他开始在他的Op.2梦幻之星双簧管与弦乐三重奏工作几个星期后. 虽然协奏曲遵循相同的三个移动图形为小交响乐团，这是规模更宏大. 而且由于草图，异常的布里顿，完全在几乎每一个细节，这令人费解的是，他从未打过满分工作完成后组成，并且似乎没有试图把它进行. 目前尚不清楚他是否有特别的表演记. 他，当然，紫百合的球员，虽然他不太可能有打算的一部分给自己. 他表现出的工作，他的作文老师在大学，约翰·爱尔兰，谁，布里顿在日记中写道，是“非常满意”与它. 但它是明显的可能是他在排练的小交响乐团，在1932年的学生乐团的经验. “我从来没有听说过这样一个惊人的行. “读另一日记. 鼓励他去上完成双协奏曲得分. 他没有听到任何他的管弦乐作品，直到我们的狩猎父亲在1936年的第一场演出. 在没有布里顿的满分，有必要对我来说，从草图准备工作. 但仪器是如此精心地显示在所得到的分数是不是远远不是100％布里顿草案 - 唯一的动作迟缓条70和74之间也似乎有什么需要什么显著添加到布里顿的质感. 双协奏曲. 布里顿的稿件标题是“协奏曲B小调”，但他提到在他的日记里，在性能速记，为“2ble协奏曲”. 是最近除了他的文集的作品，从布里顿的青春和早熟大多约会，那个，因为他的死亡，已经恢复经过多年，还是第一次执行. 布里顿自己偶尔回到他的早期作品，在他的最后几年修订既早期弦乐四重奏在1931年D和歌剧保罗·班扬. 单独发布的钢琴分数是不是从管弦乐得分下降，但布里顿的组成草图转录，包括他的指示仪表. 双协奏曲的第一场演出在50奥尔德堡音乐节由凯瑟琳Hunka和菲利普公爵给出，由长野健，于1997年6月15日进行的布里顿 - 皮尔斯乐团. -Colin马修斯.