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原文

Edward Gregson. Tributes. Clarinet And Piano. Sheet Music. Clarinet. Piano Accompaniment. CLT. PFA. Edward Gregson.

译文

爱德华·格雷格森. 贡品. 单簧管和钢琴. 乐谱. 单簧管. 钢琴伴奏. CLT. PFA. 爱德华·格雷格森.

原文

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist. with whom Gregson had long musical associations. Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows. To Francis Poulenc. for Emma Johnson. – a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi. for John Bradbury. – slow and lyrical with long melodic arches. To Igor Stravinsky. for Linda Merrick. – asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen. for Nicholas Cox. – based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók. for Michael Collins. – the most virtuoso of the set. after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok’s penchant for simple modal shapes and ostinati rhythms.

译文

爱德华·格雷格森完成贡在2010年的夏天. 持续约16分钟，有五件一组，每个专用于不同的作曲家和不同的单簧管. 与之格雷格森已久的音乐协会. 每个受奉献者的作曲家写了奇妙的单簧管，并作为贡品给他们，格雷格森试图入侵，确实是模仿，他们的风格在世界这些作品. 它们如下. 弗朗西斯普朗克. 艾玛·约翰逊. - 一个相当梦幻的托卡塔，抒情的感觉，但通常是古怪的和破坏性的节奏发作中断. 杰拉尔德Finzi的. 约翰·布拉德伯里. - 缓慢，抒情的长旋律拱门. 到斯特拉文斯基. 琳达梅里克. - 非对称节奏占据主导地位，在独奏线宽跨越黑白和谐的钢琴. 为了梅西安. 尼古拉斯考克斯. - 基础上，引人入胜的动作迟缓大提琴在他的四方终止时间，无缝的旋律围绕不断变化的重复和弦织就的钢琴. 为了巴尔托克. 迈克尔·柯林斯. - 该组中最演奏家. 经过一个缓慢的介绍，漩民间舞蹈一样展开，镜像巴托克的爱好为简单的模态形状和ostinati节奏.