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原文

George Frideric Handel. 'Hallelujah' Chorus SATB. Organ. New Engraving. Sheet Music. SATB, Organ Accompaniment. SATB. ORGA. George Frideric Handel.

译文

韩德尔. “哈利路亚合唱团SATB. 器官. 新的雕刻. 乐谱. SATB，风琴伴奏. SATB. ORGA. 韩德尔.

原文

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs. The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to remove their swords, and ladies the hoops in their dresses. The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743.

译文

在“哈利路亚合唱团，西方古典传统中可以说是最有名的合唱作品，是亨德尔的弥赛亚的第二部分的收盘数. 这样是亨德尔的话设置的实力，这移情，胜利凯歌保持其吸引力，尽管文化过度和争议，以它已经受到了，剩下的一个牢固的喜爱与合唱团. 弥赛亚的首演是在都柏林于1742年的高点亨德尔的作品的完整赛季. 这是一个慈善活动，在当地引起援助举行，为了得到在尼尔的新的音乐大厅Fishamble街最大的出勤，男人被要求删除他们的剑，和夫人的箍在他们的礼服. 在“哈利路亚”合唱团的表演站立的传统，仍然沉迷在英国选手一些演出，据说已经开始由国王乔治二世于1743年在伦敦工作的开放运行.