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原文

Matthew Locke. Songs and Dialogues for Voice and Basso Continuo. Sheet Music. Voice and Basso Continuo. VCE. CONT. Matthew Locke.

译文

马修·洛克. 歌曲和对话的语音和数字低音. 乐谱. 语音和数字低音. VCE. CONT. 马修·洛克.

原文

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. D - G. and. D - D. A Dialogue between Apollo and Neptune. D - F. and. G - D. A Dialogue between Thirsis and Dorinda. E - G. and. C - E. Bone Jesu Verbum Patris. C - F sharp. Lucinda, wink or veil those eyes. E - F. The Despondent Lover’s Song. D sharp - G. The Passing Bell. D - F. with chorus. sop. F sharp - F nat. bass. G - D. Then from a whirlwind oracle. D - E. To a Lady singing to herself by the Thames-side. E - A. Urania to Parthenissa. A Dream. E - G. Wrong not your lovely eyes. E - F. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.

译文

Edited by Mark Levy. CONTENTS. A Dialogue. Alas, alas, who has been here. ð - 克. 和. D - D. A Dialogue between Apollo and Neptune. ð - 的f. 和. 摹 - ð. A Dialogue between Thirsis and Dorinda. Ë - 克. 和. Ç - 电子. Bone Jesu Verbum Patris. ç - 升F. Lucinda, wink or veil those eyes. Ë - 的f. The Despondent Lover’s Song. 升D - G的. 在贝尔传递. ð - 的f. 与合唱. SOP. F sharp - F nat. 低音. 摹 - ð. Then from a whirlwind oracle. ð - 电子. To a Lady singing to herself by the Thames-side. ê - 一个. Urania to Parthenissa. 哆啦A梦. Ë - 克. Wrong not your lovely eyes. Ë - 的f. Never before collected in one volume, the surviving solo songs and dialogues of this fascinating Restoration figure have been edited by Mark Levy, bass-viol virtuoso and one of Britain’s outstanding early music performers. This volume is a valuable companion to the larger works of Locke published in the Musica Britannica series, filling a serious gap for performers and scholars, as well as providing a selection of fine repertoire particularly suited to complement Purcell’s songs.
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