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原文

Christoph Willibald Gluck. Orpheus And Euridice. Vocal Score. Sheet Music. Opera. OPERA. Christoph Willibald Gluck. --.

译文

克里斯托夫维利巴尔德格鲁克. 俄耳甫斯与欧律狄刻. 声乐分数. 乐谱. 歌剧. OPERA. 克里斯托夫维利巴尔德格鲁克. --.

原文

Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck, for his approach to the score is also monumental, as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful, as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife, unwilling to follow her husband blindly out of Hades, even though she has been called back to life. Her arguments and pleadings, her passion and confusion, create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score, with English words by Walter Ducloux taking precedance over the French original.

译文

格鲁克的“奥菲欧等尤丽狄茜”是在改革意大利正歌剧试图通过格鲁克由三个歌剧1. 剧本是高贵而隆重而这必须有启发格鲁克，对于他的做法将比分也是巨大的，以及管弦乐的性质. 尤丽狄茜的死亡的葬礼合唱画面是由痛苦奥菲欧的哭声划破后打开歌剧. 色调和愤怒的巨大戏剧性的合唱与奥菲欧的独奏宣叙调和咏叹调了鲜明的对比，他搜索尤丽狄茜. 第三幕是特别漂亮，因为格鲁克和Calzabigi转尤丽狄茜的树荫下成为一个复杂的情人和妻子，不愿跟随丈夫从盲目阎王，即使她被称为起死回生. 她的论据和答辩状，她的激情和混乱，创造奥菲欧导致她的煎熬被送回地狱. 这是声乐分数的泪液分泌版，与英语单词由Walter Ducloux采取precedance在法国原装.